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• At the interface between sensation and emotion : perceived qualities of single chords 

  Lahdelma, Imre (University of Jyväskylä, 2017)

  The focus of this dissertation is to investigate the perception of single chords, both in terms of perceived emotions and psychoacoustic qualities. Previous empirical research on harmony perception has mainly been ...

• Shetland fiddle ornamentation : erilaisten koristelutekniikoiden käyttö shetlantilaisessa perinneviulumusiikissa 

  Heinonen, Suvi (2022)

  Olen perehtynyt tutkielmassani shetlantilaisen perinneviulumusiikin ornamentiikkaan kahden toisiinsa nähden mestari-kisälli -suhteessa olleen mestaripelimannin, Tom Andersonin ja Aly Bainin, soitosta tehtyjä tallenteita ...

• Sean-nós-laulutyylin salat : laulajan ja tutkijan näkökulma 

  Niiranen, Minja (2004)

• Single chords convey distinct emotional qualities to both naïve and expert listeners 

  Lahdelma, Imre; Eerola, Tuomas (Sage Publications Ltd.; Society for Education, Music and Psychology Research, 2016)

  Previous research on music and emotions has been able to pinpoint many structural features conveying emotions. Empirical research on vertical harmony’s emotional qualities, however, has been rare. The main studies in harmony ...

• Mild Dissonance Preferred Over Consonance in Single Chord Perception 

  Lahdelma, Imre; Eerola, Tuomas (Pion, 2016)

  Previous research on harmony perception has mainly been concerned with horizontal aspects of harmony, turning less attention to how listeners perceive psychoacoustic qualities and emotions in single isolated chords. A ...