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dc.contributor.authorHuovinen, Erkki
dc.contributor.authorTuuri, Kai
dc.date.accessioned2019-02-27T13:10:50Z
dc.date.available2019-07-04T21:36:10Z
dc.date.issued2019
dc.identifier.citationHuovinen, E., & Tuuri, K. (2019). Pleasant Musical Imagery : Eliciting Cherished Music in the Second Person. <i>Music Perception</i>, <i>36</i>(3), 314-330. <a href="https://doi.org/10.1525/mp.2019.36.3.314" target="_blank">https://doi.org/10.1525/mp.2019.36.3.314</a>
dc.identifier.otherCONVID_28919805
dc.identifier.otherTUTKAID_80655
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/62973
dc.description.abstractThis article introduces the notion of pleasant musical imagery (PMI) for denoting everyday phenomena where people want to cherish music ‘‘in their heads.’’ This account differs from current paradigms for studying musical imagery in that it is not based a priori on (in)voluntariness of the experience. An empirical investigation of the structure and experiential content in 50 persons’ experiences of PMI applied the elicitation interview method. Peer judgments of the interviews helped to bridge a phenomenological investigation of particular experiences with systematic between-subjects analysis. Both structural features of the imagery (e.g., Looseness of structure or Looping) and content features of the imagery (e.g., Embodied evocativeness and Object-directedness) showed significant associations with participants’ individual characteristics, personality, and/or cognitive style. The approach taken suggests a new paradigm for studying musical imagery—one that is based on tracing the interactional and enactive processes of ‘‘inner listening.’’fi
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherUniversity of California Press
dc.relation.ispartofseriesMusic Perception
dc.rightsIn Copyright
dc.subject.otherenaktiivisuus
dc.subject.otherevokatiivinen vuorovaikutus
dc.subject.otherelicitation interview
dc.subject.otherenactive processes
dc.subject.otherevocativeness
dc.subject.otherhuman-music interaction
dc.subject.othermusical imagery
dc.titlePleasant Musical Imagery : Eliciting Cherished Music in the Second Person
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201902181536
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusicologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2019-02-18T10:15:21Z
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.format.pagerange314-330
dc.relation.issn0730-7829
dc.relation.numberinseries3
dc.relation.volume36
dc.type.versionpublishedVersion
dc.rights.copyright© 2019 by The Regents of the University of California.
dc.rights.accesslevelopenAccessfi
dc.subject.ysomielikuvat
dc.subject.ysomusiikki
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p1490
jyx.subject.urihttp://www.yso.fi/onto/yso/p1808
dc.rights.urlhttp://rightsstatements.org/page/InC/1.0/?language=en
dc.relation.doi10.1525/mp.2019.36.3.314
dc.type.okmA1


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