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dc.contributor.authorJouhki, Jukka
dc.date.accessioned2018-01-19T08:14:14Z
dc.date.available2018-01-19T08:14:14Z
dc.date.issued2017
dc.identifier.citationJouhki, J. (2017). The Hyperreal Gambler : On the Visual Construction of Men in Online Poker Ads. <i>Journal of Extreme Anthropology</i>, <i>1</i>(3), 83-101. <a href="https://doi.org/10.5617/jea.5441" target="_blank">https://doi.org/10.5617/jea.5441</a>
dc.identifier.otherCONVID_27391223
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/56802
dc.description.abstractOnline poker, like gambling in general, is predominantly a male activity. Thus, poker ads most often depict men as their protagonists. According to Jean Baudrillard, advertising can be seen as a ‘plebiscite whereby mass consumer society wages a perpetual campaign of selfendorsement.’ Ads often use stereotypical imagery for establishing a shared experience of identification with the consumer, and since their role is to sell rather than to portray the realities of life, they often have an exaggerated and monolithic – or, hyperreal – way of representing gender. This article offers an analysis of the ways in which men are portrayed in the ads of Poker Magazine Finland in the volume of 2009 (all six issues), at the peak of the so-called online poker boom.Theoretically, the article draws on postmodern theorists such as Jean Baudrillard and particularly on his concept of hyperreality (exaggerated and media-saturated reality) to analyze the way males are portrayed in the ads in question.
dc.language.isoeng
dc.publisherExtreme Anthropology Research Network
dc.relation.ispartofseriesJournal of Extreme Anthropology
dc.subject.otherhyperreality
dc.subject.otherBaudrillard, Jean
dc.subject.otherpoker players
dc.titleThe Hyperreal Gambler : On the Visual Construction of Men in Online Poker Ads
dc.typeresearch article
dc.identifier.urnURN:NBN:fi:jyu-201801151204
dc.contributor.laitosHistorian ja etnologian laitosfi
dc.contributor.laitosDepartment of History and Ethnologyen
dc.contributor.oppiaineEtnologiafi
dc.contributor.oppiaineEthnologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2018-01-15T16:51:38Z
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.format.pagerange83-101
dc.relation.issn2535-3241
dc.relation.numberinseries3
dc.relation.volume1
dc.type.versionpublishedVersion
dc.rights.copyright© the Author, 2017. This is an open access article distributed under the terms of the Creative Commons License.
dc.rights.accesslevelopenAccessfi
dc.type.publicationarticle
dc.subject.ysohyperrealismi
dc.subject.ysomedia
dc.subject.ysomainonta
dc.subject.ysopokeri
dc.subject.ysonettipokeri
dc.subject.ysomaskuliinisuus
jyx.subject.urihttp://www.yso.fi/onto/yso/p22775
jyx.subject.urihttp://www.yso.fi/onto/yso/p2445
jyx.subject.urihttp://www.yso.fi/onto/yso/p1232
jyx.subject.urihttp://www.yso.fi/onto/yso/p19045
jyx.subject.urihttp://www.yso.fi/onto/yso/p23168
jyx.subject.urihttp://www.yso.fi/onto/yso/p930
dc.rights.urlhttps://creativecommons.org/licenses/by/3.0/
dc.relation.doi10.5617/jea.5441
dc.type.okmA1


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© the Author, 2017. This is an open access article distributed under the terms of the Creative Commons License.
Except where otherwise noted, this item's license is described as © the Author, 2017. This is an open access article distributed under the terms of the Creative Commons License.