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dc.contributor.authorKoistinen, Aino-Kaisa
dc.contributor.authorRuotsalainen, Maria
dc.contributor.authorVälisalo, Tanja
dc.date.accessioned2016-12-19T09:13:01Z
dc.date.available2016-12-19T09:13:01Z
dc.date.issued2016
dc.identifier.citationKoistinen, A.-K., Ruotsalainen, M., & Välisalo, T. (2016). The World Hobbit Project in Finland : Audience responses and transmedial user practices. <i>Participations : Journal of Audience and Reception Studies</i>, <i>13</i>(2), 356-379. <a href="http://www.participations.org/Volume%2013/Issue%202/s1/10.pdf" target="_blank">http://www.participations.org/Volume%2013/Issue%202/s1/10.pdf</a>
dc.identifier.otherCONVID_26389802
dc.identifier.otherTUTKAID_72124
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/52427
dc.description.abstractThis article examines audience engagement with The Hobbit fantasy film trilogy as a participatory and transmedial experience. To do so, we use the data collected by The World Hobbit Project in order to investigate the transmedial user practices of the Finnish audience of the trilogy. We will, firstly, look at what kinds of transmedial user practices – and transmedia users – emerge from our data. Secondly, we will ask the following questions: How do transmedia users receive and experience the films? What are the meanings assigned to The Hobbit films and the fantasy texts and user practices related to them, and what do these meanings tell of the broader meanings and uses of fantasy? Doing so, we use both quantitative and qualitative research methods.
dc.language.isoeng
dc.publisherUniversity of Wales
dc.relation.ispartofseriesParticipations : Journal of Audience and Reception Studies
dc.relation.urihttp://www.participations.org/Volume%2013/Issue%202/s1/10.pdf
dc.subject.othertransmedial user practices
dc.subject.othertransmediality
dc.subject.otheradaptation
dc.subject.otherTolkien
dc.subject.otherThe Hobbit
dc.subject.otheraudience experiences
dc.titleThe World Hobbit Project in Finland : Audience responses and transmedial user practices
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201612145102
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineKirjallisuusfi
dc.contributor.oppiaineNykykulttuurin tutkimusfi
dc.contributor.oppiaineHyvinvoinnin tutkimuksen yhteisöfi
dc.contributor.oppiaineLiteratureen
dc.contributor.oppiaineContemporary Cultureen
dc.contributor.oppiaineSchool of Wellbeingen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2016-12-14T13:15:16Z
dc.type.coarjournal article
dc.description.reviewstatuspeerReviewed
dc.format.pagerange356-379
dc.relation.issn1749-8716
dc.relation.numberinseries2
dc.relation.volume13
dc.type.versionpublishedVersion
dc.rights.copyright© the Authors, 2016. This is an open access article published by University of Wales.
dc.rights.accesslevelopenAccessfi
dc.subject.ysotransmedia
dc.subject.ysofantasiaelokuvat
dc.subject.ysokäyttäjäkokemus
dc.subject.ysofantasia (tyylit)
jyx.subject.urihttp://www.yso.fi/onto/yso/p28349
jyx.subject.urihttp://www.yso.fi/onto/yso/p6735
jyx.subject.urihttp://www.yso.fi/onto/yso/p25337
jyx.subject.urihttp://www.yso.fi/onto/yso/p8512


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