The Pleasant Emotion of Sad Music
Kawakami, A., Furukawa, K. & Okanoya, K. (2013). The Pleasant Emotion of Sad Music. In: Proceedings of the 3rd International Conference on Music & Emotion (ICME3), Jyväskylä, Finland, 11th - 15th June 2013. Geoff Luck & Olivier Brabant (Eds.). University of Jyväskylä, Department of Music.
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2013In general, sad music is thought to cause us to experience sadness, which is considered an unpleasant emotion. As a result, the question arises as to why we listen to sad music if it evokes sadness. We hypothesized that felt and perceived emotion may not actually coincide in this respect: sad music would be perceived as sad, but the experience of listening to sad music would evoke positive emotions. A total of 44 participants listened to mu-sical excerpts and provided data on perceived and felt emotions by rating 62 descriptive words or phrases re-lated to emotions on a scale that ranged from 0 (not at all) to 4 (very much). The results revealed that the sad music was perceived to be more tragic, whereas the actual experiences of the participants listening to the sad music induced them to feel more romantic, more blithe, and less tragic emotions than they actually perceived with respect to the same music. Thus, the participants experienced ambivalent emotions when they listened to the sad music. After considering the possible reasons that listeners were induced to experience emotional ambivalence by the sad music, we concluded that the formulation of a new model would be essential for ex-amining the emotions induced by music and that this new model must entertain the possibility that what we experience when listening to music is vicarious emotion.
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University of Jyväskylä, Department of MusicConference
The 3rd International Conference on Music & Emotion, Jyväskylä, Finland, June 11-15, 2013Is part of publication
Proceedings of the 3rd International Conference on Music & Emotion (ICME3), Jyväskylä, Finland, 11th - 15th June 2013. Geoff Luck & Olivier Brabant (Eds.). ISBN 978-951-39-5250-1Metadata
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