ICME 2013
The 3rd International Conference on Music & Emotion was held in Jyväskylä, Finland, June 11-15, 2013. The conference was organised by the Department of Music of the University of Jyväskylä, and the Finnish Centre of Excellence in Interdisciplinary Music Research.
This conference brought together leading researchers, teachers, and practitioners from different areas of music and emotion. A series of invited keynote addresses and peer-reviewed proposals explored the ways in which emotion is encoded and mediated through musical sounds and structures, and investigated how musical emotion is conceptualised, modelled and measured. We define “Music & Emotion” in its broadest possible sense, and welcome contributions from individuals and groups working in any related field.
The programme of the conference.
Uusimmat aineistot
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3rd International Conference on Music & Emotion : Jyväskylä, June 11-15, 2013, programme, abstracts, proceedings
(Department of Music, University of Jyväskylä, 2013) -
3rd International Conference on Music & Emotion : Programme
(University of Jyväskylä, Department of Music, 2013) -
Evaluating the Consonance and Pleasantness of Triads in Different Musical Context
(University of Jyväskylä, Department of Music, 2013)This study examines whether the consonance and pleasantness of triads (major, minor, augmented, and diminished) varies according to the musical context in which it is presented. The level of consonance and dissonance (C/D) ... -
The Relation Between Emotional Valence and Performance Motion of the Keyboard Instrument
(University of Jyväskylä, Department of Music, 2013)This study examined relations of the emotion and part of the upper body during the keyboard instrument performance. The study showed the trace from the lateral direction to watch movement. As a result, there was a difference ... -
Using Tags to Select Stimuli in the Study of Music and Emotion
(University of Jyväskylä, Department of Music, 2013)A wealth of literature on musical emotion exists, including investigation of the use of tags to classify musical emotions. However, the relationship between musical emotions and human annotated information is still unclear. ... -
Absolute of Relative? A New Approach to Building Feature Vectors For Emotion Tracking In Music
(University of Jyväskylä, Department of Music, 2013)It is believed that violation of or conformity to expectancy when listening to music is one of the main sources of musical emotion. To address this, we test a new way of building feature vectors and representing features ... -
Music in Gambling Contexts : What are Individuals' Perceptions of Music Experienced in Gambring Contexts & Why Do Individuals Self-Select Music to Accompany Gambling?
(University of Jyväskylä, Department of Music, 2013)Music influences behaviours in everyday contexts (North & Hargreaves, 2008) and is a factor which can influence gambling behaviour (Griffiths & Parke, 2005; 2003). Experimenter-selected background music has been found to ... -
Music Therapy as an Effective Intervention in the Treatment of of Depression in a Patient With Korsakoff's Syndrome
(University of Jyväskylä, Department of Music, 2013)The main aim of this study is to demonstrate the efficacy of the Music Therapy intervention and the possibility of influencing positively on depressive symptoms of a patient with this Syndrome making significant improvements ... -
Brain-Activity-Driven Real-Time Music Emotive Control
(University of Jyväskylä, Department of Music, 2013)Active music listening has emerged as a study field that aims to enable listeners to interactively control music. Most of active music listening systems aim to control music aspects such as playback, equalization, browsing, ... -
Music and Dissociation : Experiences Without Valence? 'Observing' Self and 'Absent' Self
(University of Jyväskylä, Department of Music, 2013)Empirical studies of music listening in everyday life frequently frame individuals' experience of music primarily in terms of emotion and mood. Yet emotions - at least as represented by categorical and dimensional models ... -
Are Musical Emotions Chimerical? Lessons From the Paradoxical Potency of Music Therapy
(University of Jyväskylä, Department of Music, 2013)The dominant psychological model of emotion posits that a cognitive process (the appraisal) precedes, and results in, the corresponding emotion, including any induced state of physiological arousal: the cognitive com-ponent ... -
Physically Experienced Reactions and Music : A Questionnaire Study of Musicians and Non-Musicians
(University of Jyväskylä, Department of Music, 2013)Studying physically experienced reactions such as chills, tears, and racing heart (sometimes generally referred to as thrills) represents an important approach to music and emotion. A questionnaire study methodologically ... -
Emotion, Personality, Use of Music In Everyday Life and Musical Preferences
(University of Jyväskylä, Department of Music, 2013)The use of music in everyday life (UofM) is an area with growing interest. Scales for the measurement can be criticized despite their reliability and validity. Additionally, the association of UofM with personality theories ... -
Temporal Stability of Music Preferences as an Indicator of Their Underlying Conditionings
(University of Jyväskylä, Department of Music, 2013)To emphasize the substantial impact of both cognitive and emotional processes on the development of music preferences, such definitions are formed which define preferences as a set of emotional-rational attitudes, which ... -
Sonification of Emotion : Strategies for Continuous Display of Arousal and Valence
(University of Jyväskylä, Department of Music, 2013)Sonification is an interdisciplinary field of research broadly interested in the use of sound to convey information. A fundamental attribute of sound is its ability to evoke emotion, but the display of emotion as a continuous ... -
Emotional Data in Music Performance : Two Audio Environments for the Emotional Imaging Composer
(University of Jyväskylä, Department of Music, 2013)Technologies capable of automatically sensing and recognizing emotion are becoming increasingly prevalent in performance and compositional practice. Though these technologies are complex and diverse, we present a typology ... -
Specific Emotional Reactions to Tonal Music - Indication of the Adaptive Character of Tonality Recognition
(University of Jyväskylä, Department of Music, 2013)People report that specific emotional reactions accompany the perception of tonal relations during listening to tonal music. These reactions are not restricted only to people living in the Western culture. Different types ... -
Physiological Measures Regress onto Acoustic and Perceptual Features of Soundscapes
(University of Jyväskylä, Department of Music, 2013)There is no exact model for the relationship between the autonomic nervous system (ANS) and evoked or perceived emotion. Music has long been a privileged field for exploration, while the contribution of soundscape research ... -
Aural-Based Detection and Assessment of Real Versus Artificially Synchronized String Quartet Performance
(University of Jyväskylä, Department of Music, 2013)In a musical ensemble musicians can influence each other’s performance in terms not only of timing but also in other aspects of the performance such as dynamics, intonation, and timbre. The goal of this work is to test ... -
Estimating Tempo and Metrical Features by Tracking the Whole Metrical Hierarchy
(University of Jyväskylä, Department of Music, 2013)Meter is known to play a paramount role in the aesthetic appreciation of music, yet computational modelling remains deficient compared to other dimensions of music analysis. Classical audio-based methods detect the temporal ...
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