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dc.contributor.authorVanHandel, Leigh
dc.contributor.authorSong, Tian
dc.date.accessioned2009-08-03T06:45:20Z
dc.date.available2009-08-03T06:45:20Z
dc.date.issued2009
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/20942
dc.description.abstractThis study extends prior research on the influence of linguistic rhythm on musical rhythm to 19th-century French and German art songs. Results indicate that the measurement of rhythmic variability used in prior studies, the nPVI, or normalized Pairwise Variability Index, may be of use in studying individual compositional style even when a significant correlation with spoken language characteristics is not present in the repertoire. By modifying and focusing the results of the nPVI, it is possible to determine musically meaningful information about individual composer’s rhythmic characteristics.en
dc.format.extent553-557
dc.language.isoeng
dc.subject.otherlanguageen
dc.subject.othermusicen
dc.subject.otheranalysisen
dc.titleInfluence of linguistic rhythm on individual compositional style in 19th century French and German art songen
dc.typeArticleen
dc.identifier.urnURN:NBN:fi:jyu-2009411331
dc.type.dcmitypeText
dc.rights.accesslevelopenAccessfi
dc.relation.conferenceESCOM 2009 : 7th Triennial Conference of European Society for the Cognitive Sciences of Music


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  • ESCOM 2009 [101]
    7th Triennial Conference of European Society for the Cognitive Sciences of Music

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