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dc.contributor.authorToiviainen, Petri
dc.contributor.authorCarlson, Emily
dc.date.accessioned2022-02-15T08:11:07Z
dc.date.available2022-02-15T08:11:07Z
dc.date.issued2022
dc.identifier.citationToiviainen, P., & Carlson, E. (2022). Embodied Meter Revisited : Entrainment, Musical Content, and Genre in Music-Induced Movement. <i>Music Perception</i>, <i>39</i>(3), 249-267. <a href="https://doi.org/10.1525/mp.2022.39.3.249" target="_blank">https://doi.org/10.1525/mp.2022.39.3.249</a>
dc.identifier.otherCONVID_104239744
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/79777
dc.description.abstractPrevious research has shown that humans tend to embody musical meter at multiple beat levels during spontaneous dance. This work that been based on identifying typical periodic movement patterns, or eigenmovements, and has relied on time-domain analyses. The current study: 1) presents a novel method of using time-frequency analysis in conjunction with group-level tensor decomposition; 2) compares its results to time-domain analysis, and 3) investigates how the amplitude of eigenmovements depends on musical content and genre. Data comprised three-dimensional motion capture of 72 participants’ spontaneous dance movements to 16 stimuli including eight different genres. Each trial was subjected to a discrete wavelet transform, concatenated into a trial-space-frequency tensor and decomposed using tensor decomposition. Twelve movement primitives, or eigenmovements, were identified, eleven of which were frequency locked with one of four metrical levels. The results suggest that time-frequency decomposition can more efficiently group movement directions together. Furthermore, the employed group-level decomposition allows for a straightforward analysis of interstimulus and interparticipant differences in music-induced movement. Amplitude of eigenmovements was found to depend on the amount of fluctuation in the music in particularly at one- and two-beat levels.en
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherUniversity of California Press
dc.relation.ispartofseriesMusic Perception
dc.rightsIn Copyright
dc.subject.othermusic and dance
dc.subject.otherentrainment
dc.subject.othermusic information retrieval
dc.subject.othergenre
dc.subject.othermovement
dc.subject.othereigenmovement
dc.subject.othermovement patterns
dc.titleEmbodied Meter Revisited : Entrainment, Musical Content, and Genre in Music-Induced Movement
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-202202151505
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusicologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.format.pagerange249-267
dc.relation.issn0730-7829
dc.relation.numberinseries3
dc.relation.volume39
dc.type.versionpublishedVersion
dc.rights.copyright© 2022 the Regents of the University of California
dc.rights.accesslevelopenAccessfi
dc.relation.grantnumber332331
dc.subject.ysomusiikki
dc.subject.ysoliike
dc.subject.ysotanssi
dc.subject.ysoliikeanalyysi
dc.subject.ysorytmi
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p1808
jyx.subject.urihttp://www.yso.fi/onto/yso/p706
jyx.subject.urihttp://www.yso.fi/onto/yso/p1278
jyx.subject.urihttp://www.yso.fi/onto/yso/p24952
jyx.subject.urihttp://www.yso.fi/onto/yso/p11344
dc.rights.urlhttp://rightsstatements.org/page/InC/1.0/?language=en
dc.relation.datasethttp://urn.fi/URN:NBN:fi:jyu-202103262191
dc.relation.doi10.1525/mp.2022.39.3.249
dc.relation.funderResearch Council of Finlanden
dc.relation.funderSuomen Akatemiafi
jyx.fundingprogramAcademy Project, AoFen
jyx.fundingprogramAkatemiahanke, SAfi
jyx.fundinginformationThis work was supported by the Academy of Finland (project number 332331).
dc.type.okmA1


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