Move the way you feel : effects of musical features, perceived emotions, and personality on music-induced movement
Julkaisija
University of JyväskyläISBN
978-951-39-5466-6ISSN Hae Julkaisufoorumista
1459-4331Asiasanat
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Relationships Between Audio and Movement Features, and Perceived Emotions in Musical Performance
Thompson, Marc R.; Mendoza, Juan Ignacio; Luck, Geoff; Vuoskoski, Jonna K. (SAGE Publications, 2023)A core aspect of musical performance is communicating emotional and expressive intentions to the audience. Recognition of the musician's intentions is constructed from a combination of visual and auditory performance cues, ... -
Me, you and the dance : effects of individual differences and social context on music-induced movement
Carlson, Emily (Jyväskylän yliopisto, 2018) -
Exploring relations between Big Five personality traits and musical emotions embodied in spontaneous dance
Mendoza Garay, Juan Ignacio; Burger, Birgitta; Luck, Geoff (SAGE Publications, 2022)We explored the hypothesis that musical emotions are embodied differentially by people according to their personality. Nine hundred and fifty two individuals completed the Big Five personality inventory. A subset of 60 ... -
Dance Like Someone is Watching : A Social Relations Model Study of Music-Induced Movement
Carlson, Emily; Burger, Birgitta; Toiviainen, Petri (Sage Publications Ltd., 2018)Although dancing often takes place in social contexts such as a club or party, previous study of such music-induced movement has focused mainly on individuals. The current study explores music-induced movement in a ... -
The more you move, the more action you construct : a motion capture study on head and upper-torso movements in constructed action in Finnish Sign Language narratives
Jantunen, Tommi; De Weerdt, Danny; Burger, Birgitta; Puupponen, Anna (John Benjamins Publishing Company, 2021)This paper investigates, with the help of motion capture data processed on corpus principles, the characteristics of head and upper-torso movements in constructed action and regular narration (i.e., signing without constructed ...
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