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dc.contributor.authorKorhonen, Pekka
dc.contributor.authorMori, Tomoomi
dc.date.accessioned2020-10-16T04:52:28Z
dc.date.available2020-10-16T04:52:28Z
dc.date.issued2020
dc.identifier.citationKorhonen, P., & Mori, T. (2020). The Samjiyon Orchestra as a North Korean Means for Gender Based Cultural Diplomacy. <i>European Journal of Korean Studies</i>, <i>19</i>(2), 57-82. <a href="https://doi.org/10.33526/ejks.20201902.57" target="_blank">https://doi.org/10.33526/ejks.20201902.57</a>
dc.identifier.otherCONVID_35287853
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/72201
dc.description.abstractIn 2018 it appeared that a peace process on the Korean Peninsula had got underway. Lots of publicity was produced on inter-Korean relations and many types of messages and diplomatic actors started to move across the border with South Korea. One important element in this process was cultural diplomacy, conducted partly by athletes and cheering squads during the Pyeongchang Winter Olympic Games, and partly by musical ensembles. Selection of the Samjiyon Orchestra for the Pyeongchang events sheds light on the kind of image the North Korean leadership wanted to display of the country on the international stage. This article analyses the characteristics of the orchestra, where it came from, and why was it suitable for cultural diplomacy. Our wider goal is to understand music as an element in North Korean foreign policy. Evidently, music is considered an important tool for specific occasions, though its use is intermittent rather than regular.en
dc.format.mimetypeapplication/pdf
dc.languageeng
dc.language.isoeng
dc.publisherBritish Association for Korean Studies
dc.relation.ispartofseriesEuropean Journal of Korean Studies
dc.relation.urihttps://www.ejks.org.uk/downloads/volume-19-2/
dc.rightsIn Copyright
dc.subject.otherPohjois-Korea
dc.subject.otherNorth Korea
dc.subject.otherSamjiyon Orchestra
dc.subject.othercultural diplomacy
dc.subject.otherwomen
dc.subject.othermusical politics
dc.titleThe Samjiyon Orchestra as a North Korean Means for Gender Based Cultural Diplomacy
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-202010166253
dc.contributor.laitosYhteiskuntatieteiden ja filosofian laitosfi
dc.contributor.laitosDepartment of Social Sciences and Philosophyen
dc.contributor.oppiaineValtio-oppifi
dc.contributor.oppiainePolitical Scienceen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.description.reviewstatuspeerReviewed
dc.format.pagerange57-82
dc.relation.issn2516-5399
dc.relation.numberinseries2
dc.relation.volume19
dc.type.versionacceptedVersion
dc.rights.copyright© British Association for Korean Studies, 2020
dc.rights.accesslevelopenAccessfi
dc.subject.ysopoliittinen kontrolli
dc.subject.ysoorkesterit
dc.subject.ysokulttuurielämä
dc.subject.ysokulttuuripolitiikka
dc.subject.ysomusiikki
dc.subject.ysodiplomatia
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p5190
jyx.subject.urihttp://www.yso.fi/onto/yso/p5070
jyx.subject.urihttp://www.yso.fi/onto/yso/p4023
jyx.subject.urihttp://www.yso.fi/onto/yso/p13671
jyx.subject.urihttp://www.yso.fi/onto/yso/p1808
jyx.subject.urihttp://www.yso.fi/onto/yso/p13269
dc.rights.urlhttp://rightsstatements.org/page/InC/1.0/?language=en
dc.relation.doi10.33526/ejks.20201902.57


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