The Rise and Fall of the Unhasu Orchestra
Korhonen, P., & Koidl, W. (2018). The Rise and Fall of the Unhasu Orchestra. European Journal of Korean Studies, 18(1), 63-96. https://doi.org/10.33526/ejks.20181801.63
Julkaistu sarjassa
European Journal of Korean StudiesPäivämäärä
2018Tekijänoikeudet
© British Association for Korean Studies, 2018
The Ŭnhasu Orchestra was a major North Korean ensemble in 2009-2013. It was established by Kim
Jong Il [Kim Chŏngil] and was composed of young musicians and singers of both genders, several of
them having studied in foreign higher educational institutions in countries like Austria, Italy, Russia and
China. Its members represented the core class of the North Korean society. It was ostensibly meant to
display the high quality of North Korean art and engage at this level also in international cultural
diplomacy, both in terms of physical visits, and in terms of DVD and internet publishing. In addition
to domestic concerts, the Ŭnhasu Orchestra performed with visiting Russian artists, and gave a concert
in Paris in 2012. Ŭnhasu Orchestra exemplifies also the problems with regime transition in North
Korea. It was so closely tied with the Kim Chŏngil regime that the change at the end of 2011 to the
Kim Jong Un [Kim Chŏngŭn] regime did not proceed altogether smoothly. In August 2013 it was
disbanded rather abruptly, causing an international uproar, and signalling the beginning of a wave of
other purges leading up to the highest leadership levels. The article attempts to shed light on the nature
of the Orchestra as a North Korean cultural phenomenon and the reasons for its sudden ending, trying
to dispel some of the disinformation surrounding the event.
...
Julkaisija
British Association for Korean StudiesISSN Hae Julkaisufoorumista
2516-5399Asiasanat
Julkaisu tutkimustietojärjestelmässä
https://converis.jyu.fi/converis/portal/detail/Publication/28800655
Metadata
Näytä kaikki kuvailutiedotKokoelmat
Lisenssi
Samankaltainen aineisto
Näytetään aineistoja, joilla on samankaltainen nimeke tai asiasanat.
-
The Samjiyon Orchestra as a North Korean Means for Gender Based Cultural Diplomacy
Korhonen, Pekka; Mori, Tomoomi (British Association for Korean Studies, 2020)In 2018 it appeared that a peace process on the Korean Peninsula had got underway. Lots of publicity was produced on inter-Korean relations and many types of messages and diplomatic actors started to move across the border ... -
Possibilities of mobile marketing in classical music audience development : a charting survey on classical music audiences’ willingness to adopt an orchestra branded mobile application
Piiroinen, Petra (2019)Tutkimuksen tarkoituksena on selvittää, miten klassisen musiikin ja erityisesti suomalaisten orkesteri- instituutioiden yleisöt suhtautuvat mobiiliapplikaatioihin markkinoinnin ja yleisötyön työkaluna. Klassisen musiikin ... -
An Intersectional Analysis of Young People’s Cultural Participation in the Context of the European Capital of Culture : The Case of Oulu2026
Pekkarinen, Jenni (Universitetsforlaget, 2023)The European Capital of Culture (ECoC) highlights the importance of promoting social inclusion and equal participation opportunities for a wide range of citizens, with special attention paid to young people, as well as ... -
Suomalaisen orkesterilaitoksen asema suomalaisessa yhteiskunnassa
Ojala, Anna-Liisa (2007)Tutkimuksen tehtävänä on selvittää suomalaisen orkesterilaitoksen asemaa suomalaisessa yhteiskunnassa painottaen orkesterilaitoksen luonteessa ilmenevää autonomian ja yhteiskunnallisen toimijuuden dualismia. Tutkimusongelmaa ... -
Cultural contributions of higher education
Välimaa, Jussi; Nokkala, Terhi; Romanenko, Ksenia (Edward Elgar Publishing, 2023)
Ellei toisin mainittu, julkisesti saatavilla olevia JYX-metatietoja (poislukien tiivistelmät) saa vapaasti uudelleenkäyttää CC0-lisenssillä.