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dc.contributor.authorHuttunen, Miia
dc.date.accessioned2020-06-17T07:22:56Z
dc.date.available2020-06-17T07:22:56Z
dc.date.issued2017
dc.identifier.citationHuttunen, M. (2017). De-demonising Japan? : Transitioning from war to peace through Japan’s cinematic post-war cultural diplomacy in UNESCO’s Orient project 1957–1959. <i>International Journal of Cultural Policy</i>, <i>23</i>(6), 751-764. <a href="https://doi.org/10.1080/10286632.2017.1375479" target="_blank">https://doi.org/10.1080/10286632.2017.1375479</a>
dc.identifier.otherCONVID_27233984
dc.identifier.otherTUTKAID_75063
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/70013
dc.description.abstractIn 1959, UNESCO published a film catalogue titled Orient. A Survey of Films Produced in Countries of Arab and Asian Culture to familiarise Western audiences with Eastern cultures. Out of the 139 feature films included in the catalogue, 37 were Japanese. Through a discussion of the descriptions of the films provided in the catalogue, this article analyses Japan’s post-war cultural diplomacy in the context of the Orient project. The aim is to discuss the question of what purpose the Japanese films chosen for the Orient catalogue served in terms of cultural diplomacy. The analysis suggests the Japanese representatives aimed to position the nation in the international arena outside the Cold War political and ideological framework. Instead, they promoted national interests by utilising the catalogue project to renegotiate the country’s position in the post-war world with the larger ideal of intercultural understanding guiding the selection process and the meaning created for Western audiences.fi
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherRoutledge
dc.relation.ispartofseriesInternational Journal of Cultural Policy
dc.rightsIn Copyright
dc.subject.otherkulttuuri (toimintatavat)
dc.subject.otherJapani
dc.subject.othercultural diplomacy
dc.subject.otherJapan
dc.subject.otherfilm
dc.subject.otherUNESCO
dc.subject.otherintercultural relations
dc.titleDe-demonising Japan? : Transitioning from war to peace through Japan’s cinematic post-war cultural diplomacy in UNESCO’s Orient project 1957–1959
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-202005123131
dc.contributor.laitosYhteiskuntatieteiden ja filosofian laitosfi
dc.contributor.laitosDepartment of Social Sciences and Philosophyen
dc.contributor.oppiaineValtio-oppifi
dc.contributor.oppiainePolitical Scienceen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2020-05-12T09:15:06Z
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.format.pagerange751-764
dc.relation.issn1028-6632
dc.relation.numberinseries6
dc.relation.volume23
dc.type.versionacceptedVersion
dc.rights.copyright© 2017 Taylor & Francis
dc.rights.accesslevelopenAccessfi
dc.relation.grantnumber277060
dc.subject.ysodiplomatia
dc.subject.ysokulttuurienvälisyys
dc.subject.ysoelokuvat
dc.subject.ysokulttuuripolitiikka
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p13269
jyx.subject.urihttp://www.yso.fi/onto/yso/p10645
jyx.subject.urihttp://www.yso.fi/onto/yso/p1235
jyx.subject.urihttp://www.yso.fi/onto/yso/p13671
dc.rights.urlhttp://rightsstatements.org/page/InC/1.0/?language=en
dc.relation.doi10.1080/10286632.2017.1375479
dc.relation.funderSuomen Akatemiafi
dc.relation.funderResearch Council of Finlanden
jyx.fundingprogramAkatemiahanke, SAfi
jyx.fundingprogramAcademy Project, AoFen
jyx.fundinginformationThis work was supported by Academy of Finland, Finnish Academy research project [grant number 277060]; and Koneen Säätiö [grant number 4c9767].
dc.type.okmA1


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