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dc.contributor.authorLuck, Geoff
dc.date.accessioned2016-11-11T08:52:49Z
dc.date.available2016-11-11T08:52:49Z
dc.date.issued2016
dc.identifier.citationLuck, G. (2016). The psychology of streaming : exploring music listeners’ motivations to favour access over ownership. <i>International Journal of Music Business Research</i>, <i>5</i>(2), 46-61. <a href="https://musicbusinessresearch.files.wordpress.com/2012/04/volume-5-no-2-october-2016-luck2.pdf" target="_blank">https://musicbusinessresearch.files.wordpress.com/2012/04/volume-5-no-2-october-2016-luck2.pdf</a>
dc.identifier.otherCONVID_26308134
dc.identifier.otherTUTKAID_71683
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/51863
dc.description.abstractDigital streaming represents the most radical development in the way we experience music since the invention of automatic playback technologies two centuries ago. From zero ownership and on-demand access to a virtually limitless library of music via a disconnected financial transaction, streaming services challenge previous conceptions of how music is defined, experienced and consumed. This paper explores streaming from a psychological perspective, and highlights a range of factors that motivate users to favour access over ownership. From removal of responsibilities of ownership to enhanced discovery, nostalgia-fulfilment to augmented emotional engagement, adoption of access-based consumption is shown to be both driven by, and have multiple positive effects on listeners' psychological functioning. The paper concludes by examining some implications of the issues discussed for each of the three pillars of the streaming industry — listeners, content-creators and service providers — for enhancing the musical experience, growing revenues, and maximising overall potential for engagement with and through music.
dc.language.isoeng
dc.publisherInternational Association of Music Business Research
dc.relation.ispartofseriesInternational Journal of Music Business Research
dc.relation.urihttps://musicbusinessresearch.files.wordpress.com/2012/04/volume-5-no-2-october-2016-luck2.pdf
dc.subject.otheraccess-based music consumption
dc.subject.otherlistener experience
dc.subject.otheremotional engagement
dc.subject.otherlongterm success
dc.titleThe psychology of streaming : exploring music listeners’ motivations to favour access over ownership
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201611094596
dc.contributor.laitosMusiikin laitosfi
dc.contributor.laitosDepartment of Musicen
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusicologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2016-11-09T07:15:03Z
dc.type.coarjournal article
dc.description.reviewstatuspeerReviewed
dc.format.pagerange46-61
dc.relation.issn2227-5789
dc.relation.numberinseries2
dc.relation.volume5
dc.type.versionpublishedVersion
dc.rights.copyright© Luck & International Association of Music Business Research, 2016. This is an open access article published by International Association of Music Business Research.
dc.rights.accesslevelopenAccessfi


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