Towards a theory of political art : cultural politics of 'Black Wave' film in Yugoslavia, 1963-1972
| dc.contributor.author | Boynik, Sezgin | |
| dc.date.accessioned | 2014-12-02T11:18:00Z | |
| dc.date.available | 2014-12-02T11:18:00Z | |
| dc.date.issued | 2014 | |
| dc.identifier.isbn | 978-951-39-5980-7 | |
| dc.identifier.other | oai:jykdok.linneanet.fi:1453042 | |
| dc.identifier.uri | https://jyx.jyu.fi/handle/123456789/44796 | |
| dc.format.extent | 1 verkkoaineisto (87, [86] sivua) | |
| dc.language.iso | eng | |
| dc.publisher | University of Jyväskylä | |
| dc.relation.ispartofseries | Jyväskylä studies in education, psychology and social research | |
| dc.relation.haspart | <b>Article I:</b> “Between Necessity and Spontaneity: The Cultural Policy of Dušan Makavejev”. <i>Kino! Magazine for Cinema and Cinematic Issues No. 15, 2011, pp. 87-108. </i> | |
| dc.relation.haspart | <b>Article II:</b> “On Makavejev, On Ideology: The Concrete and the Abstract in Readings of Dušan Makavejev Films”. <i> In Surfing the Black: Yugoslav Black Wave Cinema, edited by Gal Kirn, Dubravka Sekulic and Ziga Testen, Jan Van Eyck Akademie, 2012, pp. 106-152. </i> | |
| dc.relation.haspart | <b>Article III:</b> “New Collectives: Art Networks and Cultural Policies in Post-Yugoslav Spaces”. <i> In Retracing Images: Visual Culture after Yugoslavia, edited by Slobodan Karamanic and Daniel Suber, Brill, 2012, pp. 81-105. </i> | |
| dc.relation.haspart | <b>Article IV:</b> “The Art of Slogans (The Performative Part)” . <i>TKH: Journal for Performing Arts Theory, No. 19, pp. 132-141. </i> | |
| dc.relation.haspart | <b>Article V:</b> “The Art of Slogans (The Constative Part)” . <i>TKH: Journal for Performing Arts Theory, No. 20, pp. 82-95. </i> | |
| dc.rights | In Copyright | |
| dc.subject.other | Althusser, Louis | |
| dc.subject.other | Makavejev, Dušan | |
| dc.subject.other | mustan aallon elokuvat | |
| dc.subject.other | political art | |
| dc.subject.other | cultural policy | |
| dc.subject.other | Black Wave cinema | |
| dc.subject.other | Yugoslavia | |
| dc.subject.other | self-management | |
| dc.subject.other | Formalism | |
| dc.subject.other | contradictions | |
| dc.subject.other | ideology | |
| dc.subject.other | realism | |
| dc.subject.other | historicism | |
| dc.subject.other | Mustan Aallon elokuva | |
| dc.title | Towards a theory of political art : cultural politics of 'Black Wave' film in Yugoslavia, 1963-1972 | |
| dc.type | doctoral thesis | |
| dc.identifier.urn | URN:ISBN:978-951-39-5980-7 | |
| dc.type.dcmitype | Text | en |
| dc.type.ontasot | Väitöskirja | fi |
| dc.type.ontasot | Doctoral dissertation | en |
| dc.contributor.tiedekunta | Faculty of Social Sciences | en |
| dc.contributor.tiedekunta | Yhteiskuntatieteellinen tiedekunta | fi |
| dc.contributor.yliopisto | University of Jyväskylä | en |
| dc.contributor.yliopisto | Jyväskylän yliopisto | fi |
| dc.contributor.oppiaine | Valtio-oppi/kulttuuripolitiikka | fi |
| dc.type.coar | http://purl.org/coar/resource_type/c_db06 | |
| dc.relation.issn | 0075-4625 | |
| dc.relation.numberinseries | 511 | |
| dc.rights.accesslevel | openAccess | |
| dc.type.publication | doctoralThesis | |
| dc.subject.yso | politiikka | |
| dc.subject.yso | kulttuuripolitiikka | |
| dc.subject.yso | taidepolitiikka | |
| dc.subject.yso | taiteet | |
| dc.subject.yso | elokuva | |
| dc.subject.yso | ideologiat | |
| dc.subject.yso | sosialismi | |
| dc.subject.yso | yhteiskunnallinen muutos | |
| dc.subject.yso | poliittinen muutos | |
| dc.subject.yso | julkinen rahoitus | |
| dc.subject.yso | formalismi | |
| dc.subject.yso | Jugoslavia | |
| dc.rights.url | https://rightsstatements.org/page/InC/1.0/ |
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