Alibis, and why performers don t have them
| dc.contributor.author | Gritten, Anthony | |
| dc.date.accessioned | 2009-01-12T10:53:04Z | |
| dc.date.available | 2009-01-12T10:53:04Z | |
| dc.date.issued | 2005 | |
| dc.identifier.citation | Gritten, A. (2005). Alibis, and why performers don t have them. Musicae Scientiae, 9(1), 137-156. | |
| dc.identifier.uri | https://jyx.jyu.fi/handle/123456789/19353 | |
| dc.description.abstract | Musical performers confront, deal with, and participate in musical "events". These musical events present the performer with a number of obligations to uphold. One particular kind of obligation precedes and overrides the other kinds of (aesthetic) obligation compositional, historical, critical-interpretative, physiological, for example and lies at the root of the "contingencies", "illusions", and "anxieties" of which performers and commentators often speak. In this essay I illustrate the nature of this non-foundational obligation through a meditation on a concept of Bakhtin's: the "alibi". | en |
| dc.language.iso | eng | en |
| dc.title | Alibis, and why performers don t have them | en |
| dc.type | Article | en |
| dc.identifier.urn | URN:NBN:fi:jyu-201804202175 | |
| dc.rights.accesslevel | restrictedAccess |
