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• Les tropes dans deux pièces de théâtre de l'absurde : analyse rhétorique des tropes dans En attendant Godot et dans Fin de partie par Samuel Beckett 

  Paavonen, Susanna (2002)

• Teatterikritiikki intohimojen näyttämöillä : tapaus Keskisuomalainen: teatterikritiikin ulkoasun, sisällön ja paradigmojen sekä kriitikon aseman muutos 1961-2010 

  Westman, Maija-Liisa (University of Jyväskylä, 2016)

• Theatricalization of self : personal blogs as theatre performance 

  Siler, Martina (2012)

  The aim of this thesis is to compare personal blogs and theatre art. The study is conducted as theoretical discourse and focuses on comparison of personal blogs with a subgenre of theatre art, performance art. Using actual ...

• At the interface between sensation and emotion : perceived qualities of single chords 

  Lahdelma, Imre (University of Jyväskylä, 2017)

  The focus of this dissertation is to investigate the perception of single chords, both in terms of perceived emotions and psychoacoustic qualities. Previous empirical research on harmony perception has mainly been ...

• Her Mistress's Voice: Gynophonocentrism in Feminist Discourses 

  Keskinen, Mikko (Bridgewater State College, 2000)

  I will trace the metaphors of voice in the discourses of feminisms as articulated by Judith Fetterley, Kaja Silverman, Julia Kristeva, and Hélène Cixous. I will analyze the presuppositions of their vocal or sound imagery, ...