dc.contributor.author | Engel, Judith Valerie | |
dc.contributor.author | Bamford, Joshua S. | |
dc.contributor.author | Pfumojena, John | |
dc.contributor.editor | Kempf, Adrian | |
dc.contributor.editor | Parncutt, Richard | |
dc.contributor.editor | Martínez, Isabel Cecilia | |
dc.contributor.editor | Pérez, Joaquín Blas | |
dc.contributor.editor | Glasser, Solange | |
dc.contributor.editor | Osborne, Margaret | |
dc.contributor.editor | Daffern, Helena | |
dc.contributor.editor | Waddington-Jones, Caroline | |
dc.contributor.editor | O’Neill, Katherine | |
dc.contributor.editor | Schiavio, Andrea | |
dc.date.accessioned | 2024-05-22T08:52:49Z | |
dc.date.available | 2024-05-22T08:52:49Z | |
dc.date.issued | 2024 | |
dc.identifier.citation | Engel, J. V., Bamford, J. S., & Pfumojena, J. (2024). Mbira and piano : A case-study of cross-cultural musical dialogue at the Sheldonian Theatre, Oxford. In A. Kempf, R. Parncutt, I. C. Martínez, J. B. Pérez, S. Glasser, M. Osborne, H. Daffern, C. Waddington-Jones, K. O’Neill, & A. Schiavio (Eds.), <i>GAPS2 : Global Arts and Psychology Seminar "Creativity in music and the arts" : Book of Abstracts</i> (pp. 44-45). University of Graz. <a href="https://unipub.uni-graz.at/obvugrveroeff/content/titleinfo/9607275" target="_blank">https://unipub.uni-graz.at/obvugrveroeff/content/titleinfo/9607275</a> | |
dc.identifier.other | CONVID_215879852 | |
dc.identifier.uri | https://jyx.jyu.fi/handle/123456789/95061 | |
dc.format.extent | 187 | |
dc.format.mimetype | application/pdf | |
dc.language.iso | eng | |
dc.publisher | University of Graz | |
dc.relation.ispartof | GAPS2 : Global Arts and Psychology Seminar "Creativity in music and the arts" : Book of Abstracts | |
dc.relation.uri | https://unipub.uni-graz.at/obvugrveroeff/content/titleinfo/9607275 | |
dc.rights | CC BY 4.0 | |
dc.title | Mbira and piano : A case-study of cross-cultural musical dialogue at the Sheldonian Theatre, Oxford | |
dc.type | conferenceObject | |
dc.identifier.urn | URN:NBN:fi:jyu-202405223825 | |
dc.contributor.laitos | Musiikin, taiteen ja kulttuurin tutkimuksen laitos | fi |
dc.contributor.laitos | Department of Music, Art and Culture Studies | en |
dc.type.uri | http://purl.org/coar/resource_type/c_c94f | |
dc.relation.isbn | 978-1-3999-6450-0 | |
dc.type.coar | http://purl.org/coar/resource_type/c_c94f | |
dc.description.reviewstatus | nonPeerReviewed | |
dc.format.pagerange | 44-45 | |
dc.type.version | publishedVersion | |
dc.rights.copyright | © Authors 2024 | |
dc.rights.accesslevel | openAccess | |
dc.relation.conference | Global Arts and Psychology Seminar "Creativity in music and the arts" | |
dc.relation.grantnumber | 332331 | |
dc.relation.grantnumber | 346210 | |
dc.subject.yso | musiikki | |
dc.subject.yso | kulttuurienvälinen vuorovaikutus | |
dc.subject.yso | taidemusiikki | |
dc.subject.yso | mbira | |
dc.subject.yso | dekolonisaatio | |
dc.subject.yso | piano | |
dc.subject.yso | musiikkiesitykset | |
dc.subject.yso | konsertit | |
dc.subject.yso | dialogisuus | |
dc.format.content | fulltext | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p1808 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p25798 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p18434 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p30050 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p3836 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p11690 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p29963 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p11185 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p10824 | |
dc.rights.url | https://creativecommons.org/licenses/by/4.0/ | |
dc.relation.funder | Research Council of Finland | en |
dc.relation.funder | Research Council of Finland | en |
dc.relation.funder | Suomen Akatemia | fi |
dc.relation.funder | Suomen Akatemia | fi |
jyx.fundingprogram | Academy Project, AoF | en |
jyx.fundingprogram | Centre of Excellence, AoF | en |
jyx.fundingprogram | Akatemiahanke, SA | fi |
jyx.fundingprogram | Huippuyksikkörahoitus, SA | fi |
dc.type.okm | O1 | |