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dc.contributor.authorSalam-Salmaoui, Rauha
dc.contributor.authorSalam, Shazrah
dc.date.accessioned2024-02-06T08:35:44Z
dc.date.available2024-02-06T08:35:44Z
dc.date.issued2024
dc.identifier.citationSalam-Salmaoui, R., & Salam, S. (2024). The ‘Mascara Boys’ : Performance, Subversion, and the New Pakistani Masculinity. <i>Gender Issues</i>, <i>41</i>, Article 3. <a href="https://doi.org/10.1007/s12147-024-09320-0" target="_blank">https://doi.org/10.1007/s12147-024-09320-0</a>
dc.identifier.otherCONVID_202861475
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/93272
dc.description.abstractThis study offers an exploration into the performative expressions of gender and masculinity by the "Mascara Boys" in Pakistan. Situating the research within the frameworks of performativity theory and hybrid masculinities, the study investigates how these individuals subvert and challenge established masculinity norms through the strategic use of Instagram as a transgressive digital space. The findings reveal a multifaceted landscape where digital platforms act as both a stage and a catalyst for conversations on gender diversity, both within Pakistan and transnationally. The Mascara Boys emerge as agents of change who navigate complex intersections of socio-cultural expectations to embody a form of hybrid masculinity that is both locally informed and globally resonant. Through their intentional acts, they not only disturb entrenched heteropatriarchal structures but also contribute to a richer, more complex understanding of masculinity. The study concludes that their emergence as practitioners of hybrid masculinity within the Pakistani context signals a significant paradigm shift, urging a re-evaluation of normative gender roles and paving the way for a more inclusive discourse on gender diversity in Pakistan.en
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherSpringer
dc.relation.ispartofseriesGender Issues
dc.rightsCC BY 4.0
dc.subject.otherperformativity
dc.subject.otherhybrid masculinity
dc.subject.othergender expressions
dc.subject.otherinstagram
dc.subject.otherPakistan
dc.titleThe ‘Mascara Boys’ : Performance, Subversion, and the New Pakistani Masculinity
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-202402061763
dc.contributor.laitosKieli- ja viestintätieteiden laitosfi
dc.contributor.laitosDepartment of Language and Communication Studiesen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.relation.issn1098-092X
dc.relation.volume41
dc.type.versionpublishedVersion
dc.rights.copyright© The Author(s) 2024
dc.rights.accesslevelopenAccessfi
dc.subject.ysoInstagram
dc.subject.ysosukupuolen moninaisuus
dc.subject.ysomaskuliinisuus
dc.subject.ysosukupuoli
dc.subject.ysoperformatiivisuus
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p29366
jyx.subject.urihttp://www.yso.fi/onto/yso/p38322
jyx.subject.urihttp://www.yso.fi/onto/yso/p930
jyx.subject.urihttp://www.yso.fi/onto/yso/p5291
jyx.subject.urihttp://www.yso.fi/onto/yso/p20639
dc.rights.urlhttps://creativecommons.org/licenses/by/4.0/
dc.relation.doi10.1007/s12147-024-09320-0
jyx.fundinginformationOpen Access funding provided by University of Jyväskylä (JYU). The Project is funded by Koneen Säätiö. The frst author (Rauha Salam-Salmaoui) received funding for this project.
dc.type.okmA1


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