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dc.contributor.authorSnape, Nerdinga
dc.contributor.authorSaarikallio, Suvi
dc.contributor.authorAla-Ruona, Esa
dc.contributor.authorHartmann, Martin
dc.contributor.authorBrabant, Olivier
dc.contributor.authorErkkilä, Jaakko
dc.date.accessioned2024-01-04T11:51:10Z
dc.date.available2024-01-04T11:51:10Z
dc.date.issued2023
dc.identifier.citationSnape, N., Saarikallio, S., Ala-Ruona, E., Hartmann, M., Brabant, O., & Erkkilä, J. (2023). Depressed adults’ experiences of listening to their own clinical improvisations at home : A process evaluation of the music therapy homework. <i>Nordic Journal of Music Therapy</i>, <i>Early online</i>. <a href="https://doi.org/10.1080/08098131.2023.2291434" target="_blank">https://doi.org/10.1080/08098131.2023.2291434</a>
dc.identifier.otherCONVID_197391057
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/92537
dc.description.abstractIntroduction Depression has a negative impact on millions of people worldwide, necessitating research into appropriate therapeutic methods. The aim of this qualitative study is to investigate how music therapy clients experience listening to their own clinical improvisations at home, as a part of treatment for depression. Method Adults with major depressive disorder were offered 12 individual sessions of bi-weekly integrative improvisational music therapy, as part of a randomised controlled trial. Participants were asked to complete an online diary after listening to their clinical improvisations. Reflexive thematic analysis was performed on diary entries, and content analysis was applied to music therapists’ reports. Results Fourteen of 32 participants submitted a total of 58 diary entries. Participants' experiences were represented by five themes: music (playing, listening, music perception, music parameters), therapy (therapeutic processing, illness, music therapy trial), emotions (positive emotions, negative emotions, other emotions), embodiment (body parts, sensations, actions) and narrative (chronology, symbolic references). Music therapists’ reports indicated that low compliance and negative experiences during the task could be affected by severity of depression, and ease of use of the technological interface. Discussion Participants’ experiences varied from extremely negative to positive in every theme, finding music they produced beautiful or hideous, feeling proud or ashamed of making it, being energised, or exhausted by it, feeling supported or pressured by the music therapist, and recalling happy or terrifying memories. The findings suggest that a homework task can affect the therapeutic process in both positive and negative ways and should be further researched before implementation.en
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherRoutledge; Taylor & Francis
dc.relation.ispartofseriesNordic Journal of Music Therapy
dc.rightsCC BY 4.0
dc.subject.otherclinical improvisation
dc.subject.otherhomework
dc.subject.otherdepression
dc.subject.otherreflexive thematic analysis
dc.titleDepressed adults’ experiences of listening to their own clinical improvisations at home : A process evaluation of the music therapy homework
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-202401041040
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineMusic, Mind and Technologyfi
dc.contributor.oppiaineHyvinvoinnin tutkimuksen yhteisöfi
dc.contributor.oppiaineMusiikkikasvatusfi
dc.contributor.oppiaineTekniikkafi
dc.contributor.oppiaineMusiikkiterapiafi
dc.contributor.oppiaineLapset, perheet ja sosiaalinen kestävyysfi
dc.contributor.oppiaineSecure Communications Engineering and Signal Processingfi
dc.contributor.oppiaineMusic, Mind and Technologyen
dc.contributor.oppiaineSchool of Wellbeingen
dc.contributor.oppiaineMusic Educationen
dc.contributor.oppiaineEngineeringen
dc.contributor.oppiaineMusic Therapyen
dc.contributor.oppiaineSocial Sustainability for Children and Familiesen
dc.contributor.oppiaineSecure Communications Engineering and Signal Processingen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.relation.issn0809-8131
dc.relation.volumeEarly online
dc.type.versionpublishedVersion
dc.rights.copyright© 2023 The Author(s)
dc.rights.accesslevelopenAccessfi
dc.subject.ysomusiikkiterapia
dc.subject.ysomusiikki
dc.subject.ysokotitehtävät
dc.subject.ysomasennus
dc.subject.ysokokemukset
dc.subject.ysohoitomenetelmät
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p16380
jyx.subject.urihttp://www.yso.fi/onto/yso/p1808
jyx.subject.urihttp://www.yso.fi/onto/yso/p3928
jyx.subject.urihttp://www.yso.fi/onto/yso/p7995
jyx.subject.urihttp://www.yso.fi/onto/yso/p3209
jyx.subject.urihttp://www.yso.fi/onto/yso/p392
dc.rights.urlhttps://creativecommons.org/licenses/by/4.0/
dc.relation.doi10.1080/08098131.2023.2291434
jyx.fundinginformationThis study received funding from the Research Council of Finland (formerly known as Academy of Finland) for projects “NO PAIN NO GAIN - Internal Mechanisms of Integrative, Improvisational Music Therapy in the Treatment of Depression” and “Social sustainability for children and families”.
dc.type.okmA1


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