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dc.contributor.authorStolp, Eveliina
dc.contributor.authorMoate, Josephine
dc.contributor.authorSaarikallio, Suvi
dc.contributor.authorPakarinen, Eija
dc.contributor.authorLerkkanen, Marja-Kristiina
dc.date.accessioned2022-11-28T08:07:37Z
dc.date.available2022-11-28T08:07:37Z
dc.date.issued2022
dc.identifier.citationStolp, E., Moate, J., Saarikallio, S., Pakarinen, E., & Lerkkanen, M.-K. (2022). Exploring agency and entrainment in joint music-making through the reported experiences of students and teachers. <i>Frontiers in Psychology</i>, <i>13</i>, Article 964286. <a href="https://doi.org/10.3389/fpsyg.2022.964286" target="_blank">https://doi.org/10.3389/fpsyg.2022.964286</a>
dc.identifier.otherCONVID_160405904
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/84099
dc.description.abstractThis qualitative interview-based study draws on the reported experiences of students and teachers to explore how agency and entrainment resource and constrain each other in joint music-making. The participants were 23 students of Grades 6 and 11 music teachers from different primary schools. The qualitative content analysis of the 11 student pair interviews and 11 one-to-one teacher interviews indicated that experiences of music-related interpersonal entrainment intertwine with different dimensions of agency. In the analysis, four themes were identified as follows: presence, belonging, safety, and continuity. These findings provide insights into the relationship between agency and entrainment in classroom-based joint music-making and provide a novel lens through which to examine the complementary experiences of students and teachers. This study builds bridges between the concepts of agency and entrainment in the context of music education, offering theoretical clarification as to how and why joint music-making can be considered an intersubjective activity that fosters group cohesion and social interaction. The findings further present a view of the constitutive nature of the relationship among agency, entrainment, and intersubjectivity in joint music-making. The findings offer educators concrete grounds for using joint music-making as a platform for an agency.en
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherFrontiers Media SA
dc.relation.ispartofseriesFrontiers in Psychology
dc.rightsCC BY 4.0
dc.subject.otheragency
dc.subject.otherentrainment
dc.subject.otherjoint music-making
dc.subject.othermusic education
dc.subject.otherteachers
dc.subject.otherstudents
dc.subject.otherintersubjectivity
dc.titleExploring agency and entrainment in joint music-making through the reported experiences of students and teachers
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-202211285378
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosOpettajankoulutuslaitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.laitosDepartment of Teacher Educationen
dc.contributor.oppiaineKasvatustiedefi
dc.contributor.oppiaineKasvatuspsykologiafi
dc.contributor.oppiaineMusiikkikasvatusfi
dc.contributor.oppiaineEducationen
dc.contributor.oppiaineKasvatuspsykologiaen
dc.contributor.oppiaineMusic Educationen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.relation.issn1664-1078
dc.relation.volume13
dc.type.versionpublishedVersion
dc.rights.copyright© 2022 Stolp, Moate, Saarikallio, Pakarinen and Lerkkanen.
dc.rights.accesslevelopenAccessfi
dc.relation.grantnumber346210
dc.subject.ysointersubjektiivisuus
dc.subject.ysoopiskelijat
dc.subject.ysomusiikinopettajat
dc.subject.ysoopettajat
dc.subject.ysotoimijuus
dc.subject.ysomusiikki
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p16010
jyx.subject.urihttp://www.yso.fi/onto/yso/p16486
jyx.subject.urihttp://www.yso.fi/onto/yso/p15452
jyx.subject.urihttp://www.yso.fi/onto/yso/p1117
jyx.subject.urihttp://www.yso.fi/onto/yso/p2335
jyx.subject.urihttp://www.yso.fi/onto/yso/p1808
dc.rights.urlhttps://creativecommons.org/licenses/by/4.0/
dc.relation.doi10.3389/fpsyg.2022.964286
dc.relation.funderResearch Council of Finlanden
dc.relation.funderSuomen Akatemiafi
jyx.fundingprogramCentre of Excellence, AoFen
jyx.fundingprogramHuippuyksikkörahoitus, SAfi
jyx.fundinginformationThe work was supported by the Centre of Excellence Program 2022–2029 of the Academy of Finland. The Centre of Excellence in Music, Mind, Body and Brain program of the Academy of Finland (346210) and Department of Music, Art and Culture Studies (University of Jyväskylä) funded the publication of the study.
dc.type.okmA1


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