dc.contributor.author | Fink, Lauren K. | |
dc.contributor.author | Warrenburg, Lindsay A. | |
dc.contributor.author | Howlin, Claire | |
dc.contributor.author | Randall, William M. | |
dc.contributor.author | Hansen, Niels Chr. | |
dc.contributor.author | Wald-Fuhrmann, Melanie | |
dc.date.accessioned | 2021-11-12T11:12:34Z | |
dc.date.available | 2021-11-12T11:12:34Z | |
dc.date.issued | 2021 | |
dc.identifier.citation | Fink, L. K., Warrenburg, L. A., Howlin, C., Randall, W. M., Hansen, N. C., & Wald-Fuhrmann, M. (2021). Viral tunes : changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown. <i>Humanities and Social Sciences Communications</i>, <i>8</i>, Article 180. <a href="https://doi.org/10.1057/s41599-021-00858-y" target="_blank">https://doi.org/10.1057/s41599-021-00858-y</a> | |
dc.identifier.other | CONVID_99790787 | |
dc.identifier.uri | https://jyx.jyu.fi/handle/123456789/78636 | |
dc.description.abstract | Beyond immediate health risks, the COVID-19 pandemic poses a variety of stressors, which may require expensive or unavailable strategies during a pandemic (e.g., therapy, socialising). Here, we asked whether musical engagement is an effective strategy for socio-emotional coping. During the first lockdown period (April–May 2020), we surveyed changes in music listening and making behaviours of over 5000 people, with representative samples from three continents. More than half of respondents reported engaging with music to cope. People experiencing increased negative emotions used music for solitary emotional regulation, whereas people experiencing increased positive emotions used music as a proxy for social interaction. Light gradient-boosted regressor models were used to identify the most important predictors of an individual’s use of music to cope, the foremost of which was, intriguingly, their interest in “coronamusic.” Overall, our results emphasise the importance of real-time musical responses to societal crises, as well as individually tailored adaptations in musical behaviours to meet socio-emotional needs. | en |
dc.format.mimetype | application/pdf | |
dc.language.iso | eng | |
dc.publisher | Springer Nature Limited | |
dc.relation.ispartofseries | Humanities and Social Sciences Communications | |
dc.rights | CC BY 4.0 | |
dc.title | Viral tunes : changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown | |
dc.type | research article | |
dc.identifier.urn | URN:NBN:fi:jyu-202111125651 | |
dc.contributor.laitos | Musiikin, taiteen ja kulttuurin tutkimuksen laitos | fi |
dc.contributor.laitos | Department of Music, Art and Culture Studies | en |
dc.type.uri | http://purl.org/eprint/type/JournalArticle | |
dc.type.coar | http://purl.org/coar/resource_type/c_2df8fbb1 | |
dc.description.reviewstatus | peerReviewed | |
dc.relation.issn | 2662-9992 | |
dc.relation.volume | 8 | |
dc.type.version | publishedVersion | |
dc.rights.copyright | © The Author(s) 2021 | |
dc.rights.accesslevel | openAccess | fi |
dc.type.publication | article | |
dc.subject.yso | pandemiat | |
dc.subject.yso | selviytyminen | |
dc.subject.yso | musiikin harrastaminen | |
dc.subject.yso | tunteet | |
dc.subject.yso | COVID-19 | |
dc.subject.yso | stressi | |
dc.subject.yso | musiikkipsykologia | |
dc.subject.yso | poikkeusolot | |
dc.subject.yso | stressinhallinta | |
dc.subject.yso | musiikki | |
dc.format.content | fulltext | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p10121 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p11867 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p30071 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p3485 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p38829 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p133 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p13805 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p734 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p14804 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p1808 | |
dc.rights.url | https://creativecommons.org/licenses/by/4.0/ | |
dc.relation.doi | 10.1057/s41599-021-00858-y | |
jyx.fundinginformation | This work was partially supported by a grant from the Irish Research Council to CH grant No. GOIPG/2017/1006. NCH received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No. 754513, Aarhus University Research Foundation, Lundbeck Foundation (R266-2017-3339), Carlsberg Foundation (CF18-0668), and a seed funding grant from Interacting Minds Centre (2020-153). Open Access funding enabled and organized by Projekt DEAL. | |
dc.type.okm | A1 | |