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A Crowd-Sourced Database of Coronamusic : Documenting Online Making and Sharing of Music During the COVID-19 Pandemic

dc.contributor.authorHansen, Niels Chr.
dc.contributor.authorTreider, John Melvin G.
dc.contributor.authorSwarbrick, Dana
dc.contributor.authorBamford, Joshua S.
dc.contributor.authorWilson, Johanna
dc.contributor.authorVuoskoski, Jonna Katariina
dc.date.accessioned2021-07-16T07:44:28Z
dc.date.available2021-07-16T07:44:28Z
dc.date.issued2021
dc.identifier.citationHansen, N. C., Treider, J. M. G., Swarbrick, D., Bamford, J. S., Wilson, J., & Vuoskoski, J. K. (2021). A Crowd-Sourced Database of Coronamusic : Documenting Online Making and Sharing of Music During the COVID-19 Pandemic. <i>Frontiers in Psychology</i>, <i>12</i>, Article 684083. <a href="https://doi.org/10.3389/fpsyg.2021.684083" target="_blank">https://doi.org/10.3389/fpsyg.2021.684083</a>
dc.identifier.otherCONVID_99029329
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/77162
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherFrontiers Media SA
dc.relation.ispartofseriesFrontiers in Psychology
dc.rightsCC BY 4.0
dc.subject.othermusic
dc.subject.otherCOVID-19
dc.subject.othercrowdsourcing
dc.subject.otheremotion
dc.subject.othervideo
dc.subject.othercorpus
dc.subject.othersocial media
dc.subject.otherYouTube
dc.titleA Crowd-Sourced Database of Coronamusic : Documenting Online Making and Sharing of Music During the COVID-19 Pandemic
dc.typeresearch article
dc.identifier.urnURN:NBN:fi:jyu-202107164337
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.relation.issn1664-1078
dc.relation.volume12
dc.type.versionpublishedVersion
dc.rights.copyright© 2021 Hansen, Treider, Swarbrick, Bamford, Wilson and Vuoskoski
dc.rights.accesslevelopenAccessfi
dc.type.publicationarticle
dc.subject.ysoYouTube
dc.subject.ysoCOVID-19
dc.subject.ysojoukkoistaminen
dc.subject.ysomusiikin esittäminen
dc.subject.ysonettivideot
dc.subject.ysokorpukset
dc.subject.ysomusiikin harrastaminen
dc.subject.ysososiaalinen media
dc.subject.ysotunteet
dc.subject.ysomusiikkipsykologia
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p21062
jyx.subject.urihttp://www.yso.fi/onto/yso/p38829
jyx.subject.urihttp://www.yso.fi/onto/yso/p25552
jyx.subject.urihttp://www.yso.fi/onto/yso/p29935
jyx.subject.urihttp://www.yso.fi/onto/yso/p22834
jyx.subject.urihttp://www.yso.fi/onto/yso/p22933
jyx.subject.urihttp://www.yso.fi/onto/yso/p30071
jyx.subject.urihttp://www.yso.fi/onto/yso/p20774
jyx.subject.urihttp://www.yso.fi/onto/yso/p3485
jyx.subject.urihttp://www.yso.fi/onto/yso/p13805
dc.rights.urlhttps://creativecommons.org/licenses/by/4.0/
dc.relation.doi10.3389/fpsyg.2021.684083
jyx.fundinginformationFor this work, NH received funding from the European Union's Horizon 2020 research and innovation program under the Marie Skłodowska-Curie grant agreement No. 754513, Aarhus University Research Foundation, and a seed funding grant from Interacting Minds Centre (2020-153). JT, DS, and JV were partially supported by the Research Council of Norway through its Centers of Excellence scheme, project number 262762.
dc.type.okmA1


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