dc.contributor.author | Roiha, Taija | |
dc.date.accessioned | 2021-05-11T10:27:52Z | |
dc.date.available | 2021-05-11T10:27:52Z | |
dc.date.issued | 2021 | |
dc.identifier.citation | Roiha, T. (2021). The minor as major : outsiderness and social class in Saara Turunen’s prose. <i>European Journal of Cultural Studies</i>, <i>24</i>(3), 741-756. <a href="https://doi.org/10.1177/13675494211006088" target="_blank">https://doi.org/10.1177/13675494211006088</a> | |
dc.identifier.other | CONVID_68808771 | |
dc.identifier.uri | https://jyx.jyu.fi/handle/123456789/75450 | |
dc.description.abstract | Saara Turunen’s Sivuhenkilö is a work of autofiction, which tells the story of a year in its unnamed protagonist’s life. Despite her success as an author, the protagonist feels like a minor character in her own life: an outsider both because of her gender and her profession as a writer. In this article, I offer a critical reading of Turunen’s prose by asking what political implications are attached to her handling of outsiderness. I approach outsiderness not merely as a theme, but also as a genre-specific feature peculiar to the tradition of feminist rewriting. Based on my reading of Sivuhenkilö, I argue that regardless of its feminist potential, framing oneself as an outsider can function as a way of smoothing out differences and privileges, such as social class. Following this, I argue that the feminist stance explicitly presented in the novel is strongly connected to liberal and popular feminism. | en |
dc.format.mimetype | application/pdf | |
dc.language.iso | eng | |
dc.publisher | SAGE Publications | |
dc.relation.ispartofseries | European Journal of Cultural Studies | |
dc.rights | CC BY 4.0 | |
dc.subject.other | Sivuhenkilö (romaani, 2018) | |
dc.subject.other | authorship | |
dc.subject.other | minor-character elaboration | |
dc.subject.other | social class | |
dc.title | The minor as major : outsiderness and social class in Saara Turunen’s prose | |
dc.type | research article | |
dc.identifier.urn | URN:NBN:fi:jyu-202105112730 | |
dc.contributor.laitos | Musiikin, taiteen ja kulttuurin tutkimuksen laitos | fi |
dc.contributor.laitos | Department of Music, Art and Culture Studies | en |
dc.contributor.oppiaine | Kirjallisuus | fi |
dc.contributor.oppiaine | Literature | en |
dc.type.uri | http://purl.org/eprint/type/JournalArticle | |
dc.type.coar | http://purl.org/coar/resource_type/c_2df8fbb1 | |
dc.description.reviewstatus | peerReviewed | |
dc.format.pagerange | 741-756 | |
dc.relation.issn | 1367-5494 | |
dc.relation.numberinseries | 3 | |
dc.relation.volume | 24 | |
dc.type.version | publishedVersion | |
dc.rights.copyright | © 2021 the Authors | |
dc.rights.accesslevel | openAccess | fi |
dc.type.publication | article | |
dc.subject.yso | yhteiskuntaluokat | |
dc.subject.yso | ulkopuolisuus | |
dc.subject.yso | sukupuoli | |
dc.subject.yso | autofiktio | |
dc.subject.yso | kirjailijuus | |
dc.subject.yso | sosiaalinen asema | |
dc.subject.yso | feministinen kirjallisuudentutkimus | |
dc.format.content | fulltext | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p6310 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p11115 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p5291 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p25824 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p28118 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p2133 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p15803 | |
dc.rights.url | https://creativecommons.org/licenses/by/4.0/ | |
dc.relation.doi | 10.1177/13675494211006088 | |
jyx.fundinginformation | The author(s) received no financial support for the research, authorship and/or publication of this article. | |
dc.type.okm | A1 | |