Show simple item record

dc.contributor.authorSiminoski, Anna
dc.contributor.authorHuynh, Erica
dc.contributor.authorSchutz, Michael
dc.date.accessioned2020-12-10T09:10:13Z
dc.date.available2020-12-10T09:10:13Z
dc.date.issued2020
dc.identifier.citationSiminoski, Anna; Huynh, Erica; Schutz, Michael (2020). Communicating through ancillary gestures : Exploring effects on coperformers and audiences. Human Technology, 16 (3), 257-282. DOI: 10.17011/ht/urn.202011256765
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/73091
dc.description.abstractMusicians make elaborate movements while performing, often using gestures that might seem extraneous. To explore these movements, we motion-captured and audio-recorded different pairings of clarinetists and pianists performing Brahms’ Clarinet Sonata No. 1 with two manipulations: (a) allowing the performers full vs. no visual feedback, and (b) allowing the performers full vs. partial auditory feedback (i.e., the clarinetist could not hear the pianist). We found that observer ratings of audio–visual point-light renditions discriminated between manipulations and refined this insight through subsequent audio-alone and visual-alone experiments, providing an understanding of each modality’s contribution. This novel approach of evaluating point-light displays of performances under systematically manipulated conditions provides new perspective on the ways in which ancillary gestures contribute to both performer communication and audience reception of live performances.en
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherJyväskylän Yliopisto
dc.relation.ispartofseriesHuman Technology: An Interdisciplinary Journal on Humans in ICT Environments
dc.rightsCC BY-NC 4.0
dc.subject.othermusic performancefi
dc.subject.otherancillary gesturefi
dc.subject.otherexpressionfi
dc.subject.otherperformer cohesionfi
dc.subject.otheraudio-visualfi
dc.subject.otherpoint-light displaysfi
dc.titleCommunicating through ancillary gestures : Exploring effects on coperformers and audiences
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-202012107031
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.identifier.doi10.17011/ht/urn.202011256765
dc.description.reviewstatuspeerReviewed
dc.format.pagerange257-282
dc.relation.issn1795-6889
dc.relation.numberinseries3
dc.relation.volume16
dc.type.versionpublishedVersion
dc.rights.copyright©2020 Anna Siminoski, Erica Huynh, & Michael Schutz, and the Open Science Centre, University of Jyväskylä
dc.rights.accesslevelopenAccess
dc.subject.ysomusiikkiesityksetfi
dc.subject.ysoeleetfi
dc.subject.ysomuusikotfi
dc.format.contentfulltext
dc.rights.urlhttps://creativecommons.org/licenses/by-nc/4.0/


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record

CC BY-NC 4.0
Except where otherwise noted, this item's license is described as CC BY-NC 4.0