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dc.contributor.authorGanzon, Sarah Christina
dc.date.accessioned2019-12-04T11:06:04Z
dc.date.available2019-12-04T11:06:04Z
dc.date.issued2019
dc.identifier.citationGanzon, S. C. (2019). Growing the otome game market : Fan labor and otome game communities online. <em>Human Technology</em>, 15 (3), 347-366. <a href="https://doi.org/10.17011/ht/urn.201911265024">doi:10.17011/ht/urn.201911265024</a>
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/66651
dc.description.abstractOtome games are a niche category of Japanese games marketed toward women. Outside its country of origin and the infrastructure of the anime media mix, its predominantly female player communities traditionally have defined these games as those that feature romance or dating simulation. In this paper, I look into how fan bloggers talk about their own work in marketing and distributing otome games beyond Japan. In the case of otome game fan blogging, the ability to shape discussions surrounding otome games also relies upon maintaining the image of players as good consumers. Although this work focuses on the practice of fan blogging, it is part of an ongoing study on otome games in English and otome game players outside Japan.en
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherJyväskylän Yliopisto
dc.relation.ispartofseriesHuman Technology: An Interdisciplinary Journal on Humans in ICT Environments
dc.rightsCC BY-NC 4.0
dc.subject.otherotome gamesfi
dc.subject.otherpostfeminismfi
dc.subject.otherwomen and gamesfi
dc.subject.otherfan bloggingfi
dc.subject.otherJapanese gamesfi
dc.titleGrowing the otome game market : Fan labor and otome game communities online
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201912045126
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.identifier.doi10.17011/ht/urn.201911265024
dc.type.coarjournal article
dc.description.reviewstatuspeerReviewed
dc.format.pagerange347-366
dc.relation.issn1795-6889
dc.relation.numberinseries3
dc.relation.volume15
dc.type.versionpublishedVersion
dc.rights.copyright©2019 Sarah Christina Ganzon and the Open Science Centre, University of Jyväskylä
dc.rights.accesslevelopenAccess
dc.format.contentfulltext
dc.rights.urlhttps://creativecommons.org/licenses/by-nc/4.0/


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