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dc.contributor.authorLondon, Justin, Burger, Birgitta
dc.contributor.authorThompson, Marc
dc.contributor.authorHildreth, Molly
dc.contributor.authorWilson, Johanna
dc.contributor.authorSchally, Nick
dc.contributor.authorToiviainen, Petri
dc.date.accessioned2019-09-18T04:52:25Z
dc.date.available2019-09-18T04:52:25Z
dc.date.issued2019
dc.identifier.citationLondon, J., Thompson, M., Hildreth, M., Wilson, J., Schally, N., & Toiviainen, P. (2019). Motown, Disco, and Drumming : An Exploration of the Relationship Between Beat Salience, Melodic Structure, and Perceived Tempo. <i>Music Perception</i>, <i>37</i>(1), 26-41. <a href="https://doi.org/10.1525/mp.2019.37.1.26" target="_blank">https://doi.org/10.1525/mp.2019.37.1.26</a>
dc.identifier.otherCONVID_32892176
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/65535
dc.description.abstractIn a study of tempo perception, London, Burger, Thompson, and Toiviainen (2016) presented participants with digitally ‘‘tempo-shifted’’ R&B songs (i.e., sped up or slowed down without otherwise altering their pitch or timbre). They found that while participants’ relative tempo judgments of original versus altered versions were correct, they no longer corresponded to the beat rate of each stimulus. Here we report on three experiments that further probe the relation(s) between beat rate, tempo-shifting, beat salience, melodic structure, and perceived tempo. Experiment 1 is a replication of London et al. (2016) using the original stimuli. Experiment 2 replaces the Motown stimuli with disco music, which has higher beat salience. Experiment 3 uses looped drum patterns, eliminating pitch and other cues from the stimuli and maximizing beat salience. The effect of London et al. (2016) was replicated in Experiment 1, present to a lesser degree in Experiment 2, and absent in Experiment 3. Experiments 2 and 3 also found that participants were able to make tempo judgments in accordance with BPM rates for stimuli that were not tempo-shifted. The roles of beat salience, melodic structure, and memory for tempo are discussed, and the TAE as an example of perceptual sharpening is considered.en
dc.format.mimetypeapplication/pdf
dc.languageeng
dc.language.isoeng
dc.publisherUniversity of California press
dc.relation.ispartofseriesMusic Perception
dc.rightsIn Copyright
dc.subject.otherrhythm
dc.subject.otherbeat salience
dc.subject.othertempo
dc.subject.otherabsolute versus relative tempo judgment
dc.subject.otherperceptual sharpening
dc.titleMotown, Disco, and Drumming : An Exploration of the Relationship Between Beat Salience, Melodic Structure, and Perceived Tempo
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201909184182
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusicologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.description.reviewstatuspeerReviewed
dc.format.pagerange26-41
dc.relation.issn0730-7829
dc.relation.numberinseries1
dc.relation.volume37
dc.type.versionpublishedVersion
dc.rights.copyright© 2019 by The Regents of the University of California
dc.rights.accesslevelopenAccessfi
dc.relation.grantnumber272250
dc.subject.ysomusiikki
dc.subject.ysotempo
dc.subject.ysorytmi
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p1808
jyx.subject.urihttp://www.yso.fi/onto/yso/p20791
jyx.subject.urihttp://www.yso.fi/onto/yso/p11344
dc.rights.urlhttp://rightsstatements.org/page/InC/1.0/?language=en
dc.relation.doi10.1525/mp.2019.37.1.26
dc.relation.funderSuomen Akatemiafi
dc.relation.funderAcademy of Finlanden
jyx.fundingprogramAkatemiaprofessorin tehtävä, SAfi
jyx.fundingprogramResearch post as Academy Professor, AoFen
jyx.fundinginformationSuomen Akatemia 272250, 274037


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