Motown, Disco, and Drumming : An Exploration of the Relationship Between Beat Salience, Melodic Structure, and Perceived Tempo
London, J., Thompson, M., Hildreth, M., Wilson, J., Schally, N., & Toiviainen, P. (2019). Motown, Disco, and Drumming : An Exploration of the Relationship Between Beat Salience, Melodic Structure, and Perceived Tempo. Music Perception, 37(1), 26-41. https://doi.org/10.1525/mp.2019.37.1.26
Published in
Music PerceptionAuthors
Date
2019Copyright
© 2019 by The Regents of the University of California
In a study of tempo perception, London, Burger, Thompson, and Toiviainen (2016) presented participants with digitally ‘‘tempo-shifted’’ R&B songs (i.e., sped up or slowed down without otherwise altering their pitch or timbre). They found that while participants’ relative tempo judgments of original versus altered versions were correct, they no longer corresponded to the beat rate of each stimulus. Here we report on three experiments that further probe the relation(s) between beat rate, tempo-shifting, beat salience, melodic structure, and perceived tempo. Experiment 1 is a replication of London et al. (2016) using the original stimuli. Experiment 2 replaces the Motown stimuli with disco music, which has higher beat salience. Experiment 3 uses looped drum patterns, eliminating pitch and other cues from the stimuli and maximizing beat salience. The effect of London et al. (2016) was replicated in Experiment 1, present to a lesser degree in Experiment 2, and absent in Experiment 3. Experiments 2 and 3 also found that participants were able to make tempo judgments in accordance with BPM rates for stimuli that were not tempo-shifted. The roles of beat salience, melodic structure, and memory for tempo are discussed, and the TAE as an example of perceptual sharpening is considered.
...
Publisher
University of California pressISSN Search the Publication Forum
0730-7829Keywords
Publication in research information system
https://converis.jyu.fi/converis/portal/detail/Publication/32892176
Metadata
Show full item recordCollections
Related funder(s)
Research Council of FinlandFunding program(s)
Research post as Academy Professor, AoFAdditional information about funding
Suomen Akatemia 272250, 274037License
Related items
Showing items with similar title or keywords.
-
Brain and body percussion : the relationship between motor and cognitive functions
Ahokas, J. Riikka (2015)The focus of this thesis is the relationship between embodied motor rhythmic exercises (e.g. body percussion) and executive functions. Decades’ long successful application of this method within general classrooms and in ... -
Visually Perceived Distance Judgments : Tablet-Based Augmented Reality versus the Real World
Swan, J. Edward; Kuparinen , Liisa; Rapson, Scott; Sandor, Christian (Taylor & Francis, 2017)Does visually perceived distance differ when objects are viewed in augmented reality (AR), as opposed to the real world? What are the differences? These questions are theoretically interesting, and the answers are important ... -
Relationships Between Audio and Movement Features, and Perceived Emotions in Musical Performance
Thompson, Marc R.; Mendoza, Juan Ignacio; Luck, Geoff; Vuoskoski, Jonna K. (SAGE Publications, 2023)A core aspect of musical performance is communicating emotional and expressive intentions to the audience. Recognition of the musician's intentions is constructed from a combination of visual and auditory performance cues, ... -
Relationships between perceived emotions in music and music-induced movement
Burger, Birgitta; Saarikallio, Suvi; Luck, Geoff; Thompson, Marc; Toiviainen, Petri (University of California Press, 2013)Listening to music makes us move in various ways. Several factors can affect the characteristics of these movements, including individual factors and musical features. Additionally, music-induced movement may also be ... -
The Relationship Between Musical Structure and Emotion in Classical Piano Scores : A Case Study on the Theme of La Folia
Bisesi, Erica; Toiviainen, Petri (Ghent University, 2017)We explored the relationship between musical structure and emotion on different variations of La Folia – a musical theme of Portuguese origin based on a standard harmonic progression. Our approach aims to extend previous ...