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dc.contributor.authorKliuchko, Marina
dc.contributor.authorBrattico, Elvira
dc.contributor.authorGold, Benjamin P.
dc.contributor.authorTervaniemi, Mari
dc.contributor.authorBogert, Brigitte
dc.contributor.authorToiviainen, Petri
dc.contributor.authorVuust, Peter
dc.date.accessioned2019-05-13T10:44:32Z
dc.date.available2019-05-13T10:44:32Z
dc.date.issued2019
dc.identifier.citationKliuchko, M., Brattico, E., Gold, B. P., Tervaniemi, M., Bogert, B., Toiviainen, P., & Vuust, P. (2019). Fractionating auditory priors : A neural dissociation between active and passive experience of musical sounds. <i>PLoS ONE</i>, <i>14</i>(5), Article e0216499. <a href="https://doi.org/10.1371/journal.pone.0216499" target="_blank">https://doi.org/10.1371/journal.pone.0216499</a>
dc.identifier.otherCONVID_30614217
dc.identifier.otherTUTKAID_81376
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/63918
dc.description.abstractLearning, attention and action play a crucial role in determining how stimulus predictions are formed, stored, and updated. Years-long experience with the specific repertoires of sounds of one or more musical styles is what characterizes professional musicians. Here we contrasted active experience with sounds, namely long-lasting motor practice, theoretical study and engaged listening to the acoustic features characterizing a musical style of choice in professional musicians with mainly passive experience of sounds in laypersons. We hypothesized that long-term active experience of sounds would influence the neural predictions of the stylistic features in professional musicians in a distinct way from the mainly passive experience of sounds in laypersons. Participants with different musical backgrounds were recruited: professional jazz and classical musicians, amateur musicians and non-musicians. They were presented with a musical multi-feature paradigm eliciting mismatch negativity (MMN), a prediction error signal to changes in six sound features for only 12 minutes of electroencephalography (EEG) and magnetoencephalography (MEG) recordings. We observed a generally larger MMN amplitudes–indicative of stronger automatic neural signals to violated priors–in jazz musicians (but not in classical musicians) as compared to non-musicians and amateurs. The specific MMN enhancements were found for spectral features (timbre, pitch, slide) and sound intensity. In participants who were not musicians, the higher preference for jazz music was associated with reduced MMN to pitch slide (a feature common in jazz music style). Our results suggest that long-lasting, active experience of a musical style is associated with accurate neural priors for the sound features of the preferred style, in contrast to passive listening.fi
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherPublic Library of Science
dc.relation.ispartofseriesPLoS ONE
dc.rightsCC BY 4.0
dc.subject.otherbioakustiikka
dc.subject.otherbioacoustics
dc.subject.othermagnetoencephalography
dc.subject.otherelectroencephalography
dc.subject.othermusic perception
dc.subject.otherpitch perception
dc.subject.otheracoustic signals
dc.subject.othermusic cognition
dc.titleFractionating auditory priors : A neural dissociation between active and passive experience of musical sounds
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201905082501
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusicologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2019-05-08T15:15:14Z
dc.description.reviewstatuspeerReviewed
dc.relation.issn1932-6203
dc.relation.numberinseries5
dc.relation.volume14
dc.type.versionpublishedVersion
dc.rights.copyright© 2019 Kliuchko et al.
dc.rights.accesslevelopenAccessfi
dc.subject.ysoMEG
dc.subject.ysomusiikki
dc.subject.ysokognitio
dc.subject.ysohavaitseminen
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p3329
jyx.subject.urihttp://www.yso.fi/onto/yso/p1808
jyx.subject.urihttp://www.yso.fi/onto/yso/p642
jyx.subject.urihttp://www.yso.fi/onto/yso/p5293
dc.rights.urlhttps://creativecommons.org/licenses/by/4.0/
dc.relation.doi10.1371/journal.pone.0216499


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