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dc.contributor.authorPoikonen, Hanna
dc.contributor.authorToiviainen, Petri
dc.contributor.authorTervaniemi, Mari
dc.date.accessioned2018-03-05T08:16:43Z
dc.date.available2019-02-17T22:35:19Z
dc.date.issued2018
dc.identifier.citationPoikonen, H., Toiviainen, P., & Tervaniemi, M. (2018). Dance on Cortex : Enhanced Theta Synchrony in Experts when Watching a Dance Piece. <i>European Journal of Neuroscience</i>, <i>47</i>(5), 433-445. <a href="https://doi.org/10.1111/ejn.13838" target="_blank">https://doi.org/10.1111/ejn.13838</a>
dc.identifier.otherCONVID_27873338
dc.identifier.otherTUTKAID_76657
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/57245
dc.description.abstractWhen watching performing arts, a wide and complex network of brain processes emerge. These processes can be shaped by professional expertise. When compared to laymen, dancers have enhanced processes in observation of short dance movement and listening to music. But how do the cortical processes differ in musicians and dancers when watching an audio-visual dance performance? In our study, we presented the participants long excerpts from the contemporary dance choreography of Carmen. During multimodal movement of a dancer, theta phase synchrony over the fronto-central electrodes was stronger in dancers when compared to musicians and laymen. In addition, alpha synchrony was decreased in all groups during large rapid movement when compared to nearly motionless parts of the choreography. Our results suggest an enhanced cortical communication in dancers when watching dance and, further, that this enhancement is rather related to multimodal, cognitive and emotional processes than to simple observation of dance movement.
dc.language.isoeng
dc.publisherWiley
dc.relation.ispartofseriesEuropean Journal of Neuroscience
dc.subject.otherdance
dc.subject.othercortex
dc.subject.otherwatching
dc.subject.otherphase synchrony
dc.titleDance on Cortex : Enhanced Theta Synchrony in Experts when Watching a Dance Piece
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201803051651
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusicologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2018-03-05T07:15:04Z
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.format.pagerange433–445
dc.relation.issn0953-816X
dc.relation.numberinseries5
dc.relation.volume47
dc.type.versionacceptedVersion
dc.rights.copyright© 2018 Federation of European Neuroscience Societies and John Wiley & Sons Ltd. This is a final draft version of an article whose final and definitive form has been published by Federation of European Neuroscience Societies and John Wiley & Sons Ltd. Published in this repository with the kind permission of the publisher.
dc.rights.accesslevelopenAccessfi
dc.subject.ysoaivokuori
dc.subject.ysotanssi
dc.subject.ysoesittävät taiteet
dc.subject.ysoEEG
dc.subject.ysoasiantuntijuus
dc.subject.ysomusiikki
jyx.subject.urihttp://www.yso.fi/onto/yso/p7039
jyx.subject.urihttp://www.yso.fi/onto/yso/p1278
jyx.subject.urihttp://www.yso.fi/onto/yso/p2850
jyx.subject.urihttp://www.yso.fi/onto/yso/p3328
jyx.subject.urihttp://www.yso.fi/onto/yso/p15085
jyx.subject.urihttp://www.yso.fi/onto/yso/p1808
dc.relation.doi10.1111/ejn.13838
dc.type.okmA1


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