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dc.contributor.authorLittle, Noah
dc.contributor.authorBurger, Birgitta
dc.contributor.authorCroucher, Stephen M.
dc.date.accessioned2018-01-03T10:12:03Z
dc.date.available2019-02-17T22:35:29Z
dc.date.issued2018
dc.identifier.citationLittle, N., Burger, B., & Croucher, S. M. (2018). EDM and Ecstasy : the lived experiences of electronic dance music festival attendees. <i>Journal of New Music Research</i>, <i>47</i>(1), 78-95. <a href="https://doi.org/10.1080/09298215.2017.1358286" target="_blank">https://doi.org/10.1080/09298215.2017.1358286</a>
dc.identifier.otherCONVID_27150544
dc.identifier.otherTUTKAID_74612
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/56578
dc.description.abstractAttendance at large-scale music festivals has captivated a global interest in these spectacular experiences, yet little is known about the lasting benefits and personal changes individuals incur following this event. This study aims to provide a comprehensive exploration of the lived experiences of individuals who attended a multi-day electronic dance music festival. The present study was primarily interested in the perceived beneficial changes within the individual, following their festival experience. We investigated if first-time festival attendees perceived changes differed to those of returning individuals. Semi-structured qualitative interviews were used to collect data from 12 individuals who attended the 2015 Electronic Daisy Carnival in Las Vegas. Six participants were first-time attendees while the remaining six were individuals returning to the festival. The data was analysed using Thematic Analysis. Within the data emerged the following central themes: (1) escape, (2) communitas, and (3) self-reported changes; there were 10 subthemes. These findings add to the existing body of music festival literature, further contextualizing how music festivals are both experienced, and reflected upon by individuals. Further, this study highlights the potential lasting changes individuals’ experience from attending electronic dance music festivals.
dc.language.isoeng
dc.publisherRoutledge
dc.relation.ispartofseriesJournal of New Music Research
dc.subject.otherelectronic dance
dc.subject.othersocial acceptance
dc.titleEDM and Ecstasy : the lived experiences of electronic dance music festival attendees
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201712294900
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusicologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2017-12-29T16:15:05Z
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.format.pagerange78-95
dc.relation.issn1744-5027
dc.relation.numberinseries1
dc.relation.volume47
dc.type.versionacceptedVersion
dc.rights.copyright© 2017 Taylor & Francis. This is a final draft version of an article whose final and definitive form has been published by Taylor & Francis. Published in this repository with the kind permission of the publisher.
dc.rights.accesslevelopenAccessfi
dc.subject.ysososiaalinen koheesio
dc.subject.ysomusiikkijuhlat
dc.subject.ysodance
dc.subject.ysoyhtenäisyys
dc.subject.ysomusiikki
jyx.subject.urihttp://www.yso.fi/onto/yso/p27384
jyx.subject.urihttp://www.yso.fi/onto/yso/p1482
jyx.subject.urihttp://www.yso.fi/onto/yso/p14614
jyx.subject.urihttp://www.yso.fi/onto/yso/p20628
jyx.subject.urihttp://www.yso.fi/onto/yso/p1808
dc.relation.doi10.1080/09298215.2017.1358286
dc.type.okmA1


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