dc.contributor.author | Little, Noah | |
dc.contributor.author | Burger, Birgitta | |
dc.contributor.author | Croucher, Stephen M. | |
dc.date.accessioned | 2018-01-03T10:12:03Z | |
dc.date.available | 2019-02-17T22:35:29Z | |
dc.date.issued | 2018 | |
dc.identifier.citation | Little, N., Burger, B., & Croucher, S. M. (2018). EDM and Ecstasy : the lived experiences of electronic dance music festival attendees. <i>Journal of New Music Research</i>, <i>47</i>(1), 78-95. <a href="https://doi.org/10.1080/09298215.2017.1358286" target="_blank">https://doi.org/10.1080/09298215.2017.1358286</a> | |
dc.identifier.other | CONVID_27150544 | |
dc.identifier.uri | https://jyx.jyu.fi/handle/123456789/56578 | |
dc.description.abstract | Attendance at large-scale music festivals has captivated a global interest in these spectacular
experiences, yet little is known about the lasting benefits and personal changes individuals
incur following this event. This study aims to provide a comprehensive exploration of the lived
experiences of individuals who attended a multi-day electronic dance music festival. The present
study was primarily interested in the perceived beneficial changes within the individual, following
their festival experience. We investigated if first-time festival attendees perceived changes differed
to those of returning individuals. Semi-structured qualitative interviews were used to collect data
from 12 individuals who attended the 2015 Electronic Daisy Carnival in Las Vegas. Six participants
were first-time attendees while the remaining six were individuals returning to the festival. The data
was analysed using Thematic Analysis. Within the data emerged the following central themes: (1)
escape, (2) communitas, and (3) self-reported changes; there were 10 subthemes. These findings
add to the existing body of music festival literature, further contextualizing how music festivals are
both experienced, and reflected upon by individuals. Further, this study highlights the potential
lasting changes individuals’ experience from attending electronic dance music festivals. | |
dc.language.iso | eng | |
dc.publisher | Routledge | |
dc.relation.ispartofseries | Journal of New Music Research | |
dc.subject.other | electronic dance | |
dc.subject.other | social acceptance | |
dc.title | EDM and Ecstasy : the lived experiences of electronic dance music festival attendees | |
dc.type | research article | |
dc.identifier.urn | URN:NBN:fi:jyu-201712294900 | |
dc.contributor.laitos | Musiikin, taiteen ja kulttuurin tutkimuksen laitos | fi |
dc.contributor.laitos | Department of Music, Art and Culture Studies | en |
dc.contributor.oppiaine | Musiikkitiede | fi |
dc.contributor.oppiaine | Musicology | en |
dc.type.uri | http://purl.org/eprint/type/JournalArticle | |
dc.date.updated | 2017-12-29T16:15:05Z | |
dc.type.coar | http://purl.org/coar/resource_type/c_2df8fbb1 | |
dc.description.reviewstatus | peerReviewed | |
dc.format.pagerange | 78-95 | |
dc.relation.issn | 1744-5027 | |
dc.relation.numberinseries | 1 | |
dc.relation.volume | 47 | |
dc.type.version | acceptedVersion | |
dc.rights.copyright | © 2017 Taylor & Francis. This is a final draft version of an article whose final and definitive form has been published by Taylor & Francis. Published in this repository with the kind permission of the publisher. | |
dc.rights.accesslevel | openAccess | fi |
dc.type.publication | article | |
dc.subject.yso | sosiaalinen koheesio | |
dc.subject.yso | musiikkijuhlat | |
dc.subject.yso | dance | |
dc.subject.yso | yhtenäisyys | |
dc.subject.yso | musiikki | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p27384 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p1482 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p14614 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p20628 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p1808 | |
dc.relation.doi | 10.1080/09298215.2017.1358286 | |
dc.type.okm | A1 | |