Three Halves of a Whole : Redefining East and West in UNESCO’s East-West Major Project 1957-1966
Huttunen, M. (2017). Three Halves of a Whole : Redefining East and West in UNESCO’s East-West Major Project 1957-1966. Kulttuuripolitiikan tutkimuksen vuosikirja, 2016, 140-154. https://doi.org/10.17409/kpt.60094
Julkaistu sarjassa
Kulttuuripolitiikan tutkimuksen vuosikirjaTekijät
Päivämäärä
2017Tekijänoikeudet
© Huttunen & Kulttuuripolitiikan tutkimuksen seura, 2017.
In 1946 Julian Huxley, UNESCO’s frst Director-General, suggested that two opposing
philosophies of life were confronting each other from the East and the West, setting the
focus on the cultural aspect of this polarisation and defning the possibility of an EastWest
confict as the main threat to world peace. A decade later, in 1957, UNESCO
launched The Major Project on the Mutual Appreciation of Eastern and Western Cultural
Values to promote its ideas of intercultural understanding as a means to maintaining
peace. The core concepts of the Project, East and West, were not strictly defned. Here
East and West, as concepts, ft Reinhart Koselleck’s defnition of Grundbegriffe, or basic
concept – something which by nature is complex, controversial, ambiguous and contested,
but also indispensable. The purpose of this article is to trace the evolution of the concepts
during the ten years of the Project. The concepts are analysed with the tools of conceptual
history and contextualised primarily in a cultural framework. An analysis of the concepts
reveals that East and West were, at frst, referred to as two opposing elements that could
only be understood in relation to each other, leading to a binary opposition. This original
depiction developed into the recognition of several civilisations existing within and outside
the East-West dichotomy and thus to an ongoing discussion of the nature of intercultural
relations within the UNESCO context. The conceptual transformation refects UNESCO’s
evolution from an essentially Western European organisation to a forum of intercultural
dialogue of a truly worldwide nature. This article suggests an alternative understanding of
international cultural relations of the 1950s and 1960s outside both the Cold War and
post-colonial frameworks.
...
Julkaisija
Kulttuuripolitiikan tutkimuksen seuraISSN Hae Julkaisufoorumista
2343-290XJulkaisu tutkimustietojärjestelmässä
https://converis.jyu.fi/converis/portal/detail/Publication/27795724
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