dc.contributor.author | Tuuri, Kai | |
dc.contributor.author | Parviainen, Jaana | |
dc.contributor.author | Pirhonen, Antti | |
dc.date.accessioned | 2017-06-29T11:45:01Z | |
dc.date.available | 2018-01-13T22:45:06Z | |
dc.date.issued | 2017 | |
dc.identifier.citation | Tuuri, K., Parviainen, J., & Pirhonen, A. (2017). Who Controls Who? Embodied Control Within Human–Technology Choreographies. <i>Interacting with Computers</i>, <i>29</i>(4), 494-511. <a href="https://doi.org/10.1093/iwc/iww040" target="_blank">https://doi.org/10.1093/iwc/iww040</a> | |
dc.identifier.other | CONVID_26903821 | |
dc.identifier.other | TUTKAID_73233 | |
dc.identifier.uri | https://jyx.jyu.fi/handle/123456789/54728 | |
dc.description.abstract | In this article we explore issues of embodied control that relate to current and
future technologies in which body movements function as an instrument of control. Instead of
just seeing ourselves in control, it is time to consider how these technologies actually control
our moving bodies and transform our lived spaces. By shifting the focus from devices to
choreographies among devices, we perform a theoretical analysis of the multidimensional
aspects that reside within embodied interaction with technology. We suggest that it is
beneficial to acknowledge and reformulate the phenomena of embodied control that go
beyond the instrumental user-to-device control scheme. Drawing upon the phenomenology of
the body, ecological psychology, and embodied cognitive science, we identify three different
dimensions of embodied control: instrumental, experiential, and infrastructural. Design
implications of this theoretical model are also discussed. | |
dc.language.iso | eng | |
dc.publisher | Oxford University Press on behalf of BCS, The Chartered Institute for IT | |
dc.relation.ispartofseries | Interacting with Computers | |
dc.subject.other | ihminen–tietokone-vuorovaikutus | |
dc.subject.other | vuorovaikutussuunnittelu | |
dc.subject.other | embodied interaction | |
dc.subject.other | embodied control | |
dc.subject.other | choreographies | |
dc.subject.other | interaction design | |
dc.subject.other | musical interaction | |
dc.subject.other | new interfaces for musical expression | |
dc.title | Who Controls Who? Embodied Control Within Human–Technology Choreographies | |
dc.type | article | |
dc.identifier.urn | URN:NBN:fi:jyu-201706273072 | |
dc.contributor.laitos | Musiikin, taiteen ja kulttuurin tutkimuksen laitos | fi |
dc.contributor.laitos | Opettajankoulutuslaitos | fi |
dc.contributor.laitos | Department of Music, Art and Culture Studies | en |
dc.contributor.laitos | Department of Teacher Education | en |
dc.contributor.oppiaine | Musiikkitiede | fi |
dc.contributor.oppiaine | Teknologiakasvatus | fi |
dc.contributor.oppiaine | Musicology | en |
dc.contributor.oppiaine | Technology Education | en |
dc.type.uri | http://purl.org/eprint/type/JournalArticle | |
dc.date.updated | 2017-06-27T12:15:24Z | |
dc.type.coar | http://purl.org/coar/resource_type/c_2df8fbb1 | |
dc.description.reviewstatus | peerReviewed | |
dc.format.pagerange | 494-511 | |
dc.relation.issn | 0953-5438 | |
dc.relation.numberinseries | 4 | |
dc.relation.volume | 29 | |
dc.type.version | acceptedVersion | |
dc.rights.copyright | © 2017 British Computer Society. This is a final draft version of an article whose final and definitive form has been published by OUP. Published in this repository with the kind permission of the publisher. | |
dc.rights.accesslevel | openAccess | fi |
dc.subject.yso | ihmiset | |
dc.subject.yso | tietokoneet | |
dc.subject.yso | suunnittelu | |
dc.subject.yso | vuorovaikutus | |
dc.subject.yso | musiikkitiede | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p24827 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p6787 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p1377 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p10591 | |
jyx.subject.uri | http://www.yso.fi/onto/yso/p10670 | |
dc.relation.doi | 10.1093/iwc/iww040 | |
dc.type.okm | A1 | |