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dc.contributor.authorTuuri, Kai
dc.contributor.authorParviainen, Jaana
dc.contributor.authorPirhonen, Antti
dc.date.accessioned2017-06-29T11:45:01Z
dc.date.available2018-01-13T22:45:06Z
dc.date.issued2017
dc.identifier.citationTuuri, K., Parviainen, J., & Pirhonen, A. (2017). Who Controls Who? Embodied Control Within Human–Technology Choreographies. <em>Interacting with Computers</em>, 29 (4), 494-511. <a href="https://doi.org/10.1093/iwc/iww040">doi:10.1093/iwc/iww040</a>
dc.identifier.otherTUTKAID_73233
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/54728
dc.description.abstractIn this article we explore issues of embodied control that relate to current and future technologies in which body movements function as an instrument of control. Instead of just seeing ourselves in control, it is time to consider how these technologies actually control our moving bodies and transform our lived spaces. By shifting the focus from devices to choreographies among devices, we perform a theoretical analysis of the multidimensional aspects that reside within embodied interaction with technology. We suggest that it is beneficial to acknowledge and reformulate the phenomena of embodied control that go beyond the instrumental user-to-device control scheme. Drawing upon the phenomenology of the body, ecological psychology, and embodied cognitive science, we identify three different dimensions of embodied control: instrumental, experiential, and infrastructural. Design implications of this theoretical model are also discussed.
dc.language.isoeng
dc.publisherOxford University Press on behalf of BCS, The Chartered Institute for IT
dc.relation.ispartofseriesInteracting with Computers
dc.subject.otherihmiset
dc.subject.othertietokoneet
dc.subject.othersuunnittelu
dc.subject.othervuorovaikutus
dc.subject.otherihminen–tietokone-vuorovaikutus
dc.subject.othervuorovaikutussuunnittelu
dc.subject.othermusiikkitiede
dc.subject.othermusicology
dc.subject.otherembodied interaction
dc.subject.otherembodied control
dc.subject.otherchoreographies
dc.subject.otherinteraction design
dc.subject.othermusical interaction
dc.subject.othernew interfaces for musical expression
dc.titleWho Controls Who? Embodied Control Within Human–Technology Choreographies
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201706273072
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosOpettajankoulutuslaitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.laitosDepartment of Teacher Educationen
dc.contributor.oppiaineMusiikkitiede
dc.contributor.oppiaineTeknologiakasvatus
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2017-06-27T12:15:24Z
dc.type.coarjournal article
dc.description.reviewstatuspeerReviewed
dc.format.pagerange494-511
dc.relation.issn0953-5438
dc.relation.volume29
dc.type.versionacceptedVersion
dc.rights.copyright© 2017 British Computer Society. This is a final draft version of an article whose final and definitive form has been published by OUP. Published in this repository with the kind permission of the publisher.
dc.rights.accesslevelopenAccessfi
dc.relation.doi10.1093/iwc/iww040


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