dc.contributor.author | Tikka, Soile | |
dc.date.accessioned | 2017-04-11T11:57:53Z | |
dc.date.available | 2017-04-11T11:57:53Z | |
dc.date.issued | 2017 | |
dc.identifier.isbn | 978-951-39-7011-6 | |
dc.identifier.other | oai:jykdok.linneanet.fi:1694587 | |
dc.identifier.uri | https://jyx.jyu.fi/handle/123456789/53568 | |
dc.description.abstract | The aim of this study is to find tools for the instrument teacher to support the
student's learning motivation. The research is set in the cultural region of Central Ostrobothnia. The research material consists of a survey conducted by
means of a questionnaire, recorded video footage of lessons given by three violin teachers, and a total of eight interviews with these teachers and their students. The data was analyzed using both quantitative and qualitative methods.
The study reveals that the most important motivation factor is the sense of
relatedness of the pupil. The key factor is a close relationship between the pupil
and the teacher, which allows the teacher to engage the pupil in the learning
process. Especially in the early stages of music instruction, it is important that
the parents support their child and take responsibility for the pupil’s practicing.
In adolescence, the musical peer group replaces the parents as a motivational
source.
Other motivation factors are assigning the pupil pleasant and attainable
repertoire and practice tasks as well as sustaining the pupil’s sense of competence. The teacher’s teaching skills, effective teaching methods and encouraging
but specified feedback increase the pupil’s feeling of competence. The student’s
sense of autonomy is not a relevant or necessary factor in this study.
The youth in Central Ostrobothnia have quite a conservative musical taste.
An exceptional force in Ostrobothnian music schools are the Conservative
Laestadian girls. These girls are talented and conscientious students, but their
self-criticism is high and their sense of autonomy low. Additionally, they have a
negative attitude towards continuing to play their instrument in the future. | |
dc.format.extent | 1 verkkoaineisto (282 sivua) : kuvitettu, karttoja | |
dc.language.iso | fin | |
dc.publisher | University of Jyväskylä | |
dc.relation.ispartofseries | Jyväskylä studies in humanities | |
dc.rights | In Copyright | |
dc.subject.other | learning motivation | |
dc.subject.other | self-determination theory | |
dc.subject.other | teacher-pupil interaction | |
dc.subject.other | violin teaching | |
dc.title | Soitonopettajan rooli oppimismotivaation vahvistajana taiteen perusopetuksessa : opettajan ja oppilaan välinen vuorovaikutus viulunsoitonopetuksessa Keski-Pohjanmaalla | |
dc.title.alternative | Opettajan ja oppilaan välinen vuorovaikutus viulunsoitonopetuksessa Keski-Pohjanmaalla | |
dc.type | Diss. | |
dc.identifier.urn | URN:ISBN:978-951-39-7011-6 | |
dc.type.dcmitype | Text | en |
dc.type.ontasot | Väitöskirja | fi |
dc.type.ontasot | Doctoral dissertation | en |
dc.contributor.tiedekunta | Faculty of Humanities and Social Sciences | en |
dc.contributor.tiedekunta | Humanistis-yhteiskuntatieteellinen tiedekunta | fi |
dc.contributor.yliopisto | University of Jyväskylä | en |
dc.contributor.yliopisto | Jyväskylän yliopisto | fi |
dc.contributor.oppiaine | Musiikkikasvatus | fi |
dc.relation.issn | 1459-4331 | |
dc.relation.numberinseries | 308 | |
dc.rights.accesslevel | openAccess | |
dc.subject.yso | taiteen perusopetus | |
dc.subject.yso | viulu | |
dc.subject.yso | soittaminen | |
dc.subject.yso | opetus | |
dc.subject.yso | opettaja-oppilassuhde | |
dc.subject.yso | vuorovaikutus | |
dc.subject.yso | soitonopettajat | |
dc.subject.yso | oppilaat | |
dc.subject.yso | vaikutukset | |
dc.subject.yso | oppiminen | |
dc.subject.yso | opiskelumotivaatio | |
dc.subject.yso | musiikkikasvatus | |
dc.subject.yso | musiikkioppilaitokset | |
dc.subject.yso | motivaatio | |
dc.subject.yso | Keski-Pohjanmaa | |
dc.rights.url | https://rightsstatements.org/page/InC/1.0/ | |