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dc.contributor.authorLähdesmäki, Tuuli
dc.date.accessioned2017-02-08T12:28:27Z
dc.date.available2017-09-08T21:45:08Z
dc.date.issued2017
dc.identifier.citationLähdesmäki, T. (2017). Narrativity and intertextuality in the making of a shared European memory. <i>Journal of Contemporary European Studies</i>, <i>25</i>(1), 57-72. <a href="https://doi.org/10.1080/14782804.2016.1159544" target="_blank">https://doi.org/10.1080/14782804.2016.1159544</a>
dc.identifier.otherCONVID_25590572
dc.identifier.otherTUTKAID_69417
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/52995
dc.description.abstractThe latest wave of European integration process, cultural Europeanization, includes complex processes, such as the attempts to create a shared European memory that would transcend national interpretations of the past. The cultural Europeanization can be perceived as a narrative operation: in it the EU, Europe, and Europeanness are given meanings and made sense of through narrativization. The article investigates the EU’s attempts to create a shared European memory by analyzing the exhibition narrative of the Parlamentarium, the visitors’ center of the European Parliament. The analysis indicates how the construction of an official shared European memory is operationalized through textual and narrative devices such as intertextuality and the pending narrative structure. I argue that the EU’s memory texts are performative narratives which do not only describe a shared European memory in a particular way but also position the receivers as active agents in the story of the EU–Europe and invite them to produce it on their own initiative.
dc.language.isoeng
dc.publisherRoutledge; Portsmouth Polytechnic
dc.relation.ispartofseriesJournal of Contemporary European Studies
dc.subject.otherEuropean memory
dc.subject.otherEuropean Union
dc.subject.othernarrative
dc.subject.otherParlamentarium
dc.titleNarrativity and intertextuality in the making of a shared European memory
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201702021347
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineTaidehistoriafi
dc.contributor.oppiaineArt Historyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2017-02-02T10:15:03Z
dc.type.coarjournal article
dc.description.reviewstatuspeerReviewed
dc.format.pagerange57-72
dc.relation.issn1478-2804
dc.relation.numberinseries1
dc.relation.volume25
dc.type.versionacceptedVersion
dc.rights.copyright© 2016 Informa UK Limited, trading as Taylor & Francis Group. This is a final draft version of an article whose final and definitive form has been published by Taylor & Francis. Published in this repository with the kind permission of the publisher.
dc.rights.accesslevelopenAccessfi
dc.relation.grantnumber636177
dc.relation.grantnumber636177
dc.relation.grantnumber274295
dc.relation.projectidinfo:eu-repo/grantAgreement/EC/H2020/636177/EU//EUROHERIT
dc.subject.ysointertekstuaalisuus
jyx.subject.urihttp://www.yso.fi/onto/yso/p17213
dc.relation.doi10.1080/14782804.2016.1159544
dc.relation.funderEuroopan komissiofi
dc.relation.funderSuomen Akatemiafi
dc.relation.funderEuropean Commissionen
dc.relation.funderAcademy of Finlanden
jyx.fundingprogramERC Starting Grantfi
jyx.fundingprogramAkatemiatutkijan tehtävä, SAfi
jyx.fundingprogramERC Starting Granten
jyx.fundingprogramResearch post as Academy Research Fellow, AoFen
jyx.fundinginformationThe work has been supported by the Academy of Finland [grant number SA274295] (EUCHE); the European Research Council [grant number 636177] (EUROHERIT).


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