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dc.contributor.authorEerola, Tuomas
dc.contributor.authorVuoskoski, Jonna
dc.date.accessioned2014-09-30T09:13:40Z
dc.date.available2014-09-30T09:13:40Z
dc.date.issued2013
dc.identifier.citationEerola, T., & Vuoskoski, J. (2013). A review of music and emotion studies: Approaches, emotion models, and stimuli. <i>Music perception</i>, <i>30</i>(3), 307-340. <a href="https://doi.org/10.1525/MP.2012.30.3.307" target="_blank">https://doi.org/10.1525/MP.2012.30.3.307</a>
dc.identifier.otherCONVID_23816097
dc.identifier.otherTUTKAID_62674
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/44357
dc.description.abstractAbstract. The field of music and emotion research has grown rapidly and diversified during the last decade. This has led to a certain degree of confusion and inconsistency between competing notions of emotions, data, and results. The present review of 251 studies describes the focus of prevalent research approaches, methods, and models of emotion, and documents the types of musical stimuli used over the past twenty years. Although self-report approaches to emotions are the most common way of dealing with music and emotions, using multiple approaches is becoming increasingly popular. A large majority (70%) of the studies employed variants of the discrete or the dimensional emotion models. A large proportion of stimuli rely on a relatively modest amount of familiar classical examples. The evident shortcomings of these prevalent patterns in music and emotion studies are highlighted, and concrete plans of action for future studies are suggested.fi
dc.language.isoeng
dc.publisherUniversity of California Press * Journals Division
dc.relation.ispartofseriesMusic perception
dc.relation.urihttp://www.jstor.org/stable/info/10.1525/mp.2012.30.3.307
dc.subject.otheremotion
dc.subject.otherreview
dc.subject.otherstimuli
dc.subject.othertheoretical
dc.titleA review of music and emotion studies: Approaches, emotion models, and stimuli
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201409302900
dc.contributor.laitosMusiikin laitosfi
dc.contributor.laitosDepartment of Musicen
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusicologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2014-09-30T03:30:06Z
dc.type.coarhttp://purl.org/coar/resource_type/c_dcae04bc
dc.description.reviewstatuspeerReviewed
dc.format.pagerange307-340
dc.relation.issn0730-7829
dc.relation.numberinseries3
dc.relation.volume30
dc.type.versionpublishedVersion
dc.rights.copyright© 2013 by The Regents of the University of California. This is an article whose final and definitive form has been published by The Regents of the University of California.
dc.rights.accesslevelopenAccessfi
dc.subject.ysomusiikki
jyx.subject.urihttp://www.yso.fi/onto/yso/p1808
dc.relation.doi10.1525/MP.2012.30.3.307
dc.type.okmA2


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