Aineistot 21-40 / 49

    • A Simple, High-Yield Method for Assessing Structural Novelity 

      Lartillot, Olivier; Cereghetti, Donato; Eliard, Kim; Grandjean, Didier (University of Jyväskylä, Department of Music, 2013)
      The structural dimension of music plays an important role in its affective appreciation. One particular aspect is related to the temporal succession of moments, each characterized by particular musical properties. One ...
    • Empathy in Musical Interaction 

      Spiro, Neta; Schofield, Marianne; Himberg, Tommi (University of Jyväskylä, Department of Music, 2013)
      Entrainment has been linked to positive affect and pro-sociality, e.g. empathy. Empathy and entrainment are facets of the “shared manifold”, mirroring and mental simulation system allowing us to automatically share emotions ...
    • How Much Does Earphone Quality Matter While Listening to Music on Buses and Trains? 

      Lim, Miracle J. Y. J.; Lindborg, PerMagnus (University of Jyväskylä, Department of Music, 2013)
      We report results from an investigation into the relationships between acoustic performance, price, and perceived quality of earphones. In Singapore today, the most common situation where people listen to music is while ...
    • Influence of Musical Context on the Perception of Emotional Expression of Music 

      Zagrodski, Michal (University of Jyväskylä, Department of Music, 2013)
      Factors determining and influencing the perception of emotional expression of music include those related to music itself, to the listener, and to the context. Among the latter there is also music, as we rarely listen ...
    • Embodiment of Love in Handel's Opera Giulio Cesare 

      Suominen, Marjo (University of Jyväskylä, Department of Music, 2013)
      By studying metaphors of love in Handel´s opera Giulio Cesare in Egitto, I will introduce how it is depicted by the protagonists´ arias; via Cleopatra´s and Caesar´s musical relations, as a prevailing message. The atmospheric ...
    • Inducing Rules of Ensemble Music Performance : A Machine Learning Approach 

      Marchini, Marco; Ramirez, Rafael; Papiotis, Panos; Maestre, Esteban (University of Jyväskylä, Department of Music, 2013)
      Previous research in expressive music performance has described how solo musicians intuitively shape each note in relation to local/global score contexts. However, expression in ensemble performances, where each individual ...
    • How Can Accommodation Be Enchanced? The Role of Analytical and Emotional Music Reception 

      Loepthien, Tim; Leipold, Bernhard (University of Jyväskylä, Department of Music, 2013)
      The dual-process model of development regulation (Brandtstädter & Rothermund, 2002a) proposes that accommodation (flexible goal adjustment) contributes to well-being and successful development. A cognitive mindset characterized ...
    • The Effects of Nicotine on Music-Induced Emotion 

      Veltri, Theresa; Timmers, Renee; Overton, Paul (University of Jyväskylä, Department of Music, 2013)
      Nicotine is an available drug widely self-administered in the context of music (e.g. pubs, clubs). Furthermore, nicotine effects one’s physiology, which allowed us to test the effects of these physiological changes on the ...
    • Effects of Music on Emotion Regulation : A Systematic Literature Review 

      Uhlig, Sylka; Jaschke, Artur; Scherder, Erik (University of Jyväskylä, Department of Music, 2013)
      Music and its use for emotion regulation processes, to this day remains an unresolved question. Multiple experimental layouts encompassing its daily life use and clinical applications across different cultures and continents ...
    • Melodic and Rhythmic Contrasts in Emotional Speech and Music 

      Quinto, Lena; Thompson, William Forde; Keating, Felicity Louise (University of Jyväskylä, Department of Music, 2013)
      Many cues convey emotion similarly in speech and music. Researchers have established that acoustic cues such as pitch height, tempo, and intensity carry important emotional information in both domains. In this investigation, ...
    • Live Music in the Tourist Industry : A Comparative Study Between the Finnish Hotel Cruise Lines and Sharm EL Sheikh's Resorts Entertainment 

      EL-Mahgary, Laila (University of Jyväskylä, Department of Music, 2013)
      The primary aim of this study is to focus on the tourists, singer-musicians' and hotel managers' experiences with live music in Finnish hotel cruise lines and Sharm EL Sheikh's seaside resorts. The tourist, singer-musician ...
    • Ambivalent Emotions in Music : We Like Sad Music When It Makes Us Happy 

      Weth, Karim; Kickinger, Max (University of Jyväskylä, Department of Music, 2013)
      We often react ambivalently to a piece of music, simultaneously experiencing both sadness and happiness, and attributing both emotions to the musical content. Two experiments were conducted (1) to empirically test for ...
    • Everyday Listening to Music and Emotion Among College Students 

      Matsumoto, Junko (University of Jyväskylä, Department of Music, 2013)
      This study attempted to reveal the relationship between everyday listening to music and emotion among col-lege students. Participants were 13 female and 2 male college students who were given booklets to record the following ...
    • The Role of Inspiration in the Performance of Prgramme Music: The Case of "Viagens na minha Terra" by Fernanco Lopes-Graca 

      Gama, Joana (University of Jyväskylä, Department of Music, 2013)
      “Viagens na minha Terra” (Travels in my Homeland) is a piano cycle in nineteen movements by Portuguese composer Fernando Lopes-Graça (1906-1994). The work relates to Portuguese culture in many ways: the title of the work ...
    • The Effect of Expertise in Evaluating Emotions in Music 

      Morreale, Fabio; Masu, Raul; De Angeli, Antonella; Fava, Patrizio (University of Jyväskylä, Department of Music, 2013)
      This study investigates the role of expertise in the listener judgment of emotion in music. Previous studies suggest that the most important factors are mode and tempo, respectively influencing valence and arousal. The ...
    • What Emotions and Free Associations Characterize Different Musical Styles? 

      Bisesi, Erica; Eckl, Florian; Parncutt, Richard (University of Jyväskylä, Department of Music, 2013)
      Bisesi, Parncutt, & Friberg (2011) extended Director Musices (DM) - a software package for automatic rendering of expressive performance (Friberg et al., 2006) that relates the expressive features of a performance not only ...
    • Towards Affective Algorithmic Composition 

      Williams, Duncan; Kirke, Alexis; Miranda, Eduardo Reck; Roesch, Etienne B.; Nasuto, Slawomir J. (University of Jyväskylä, Department of Music, 2013)
      Automated systems for the selective adjustment of emotional responses by means of musical features are driving an emerging field: affective algorithmic composition. Strategies for algorithmic composition, and the large ...
    • The Automated Emotional Music Generator With Emotion and Season Features 

      Huang, Chih-Fang; Li, Chi-Jung (University of Jyväskylä, Department of Music, 2013)
      Nowadays, there are various types of automated music generating systems to automatically compose music clips instantly; however, those randomly-generated music clips still sounded uncomfortable and discordant. This paper ...
    • An Emotion-Based Method to Perform Algorithmic Composition 

      Huang, Chih-Fang; Lin, En-Ju (University of Jyväskylä, Department of Music, 2013)
      The generative music using algorithmic composition techniques has been developed in many years. However it usually lacks of emotion-based mechanism to generate music with specific affective features. In this article the ...
    • Aspects of Emotion and Construction in the Music of Nightwish 

      Efthimiou, Charris (University of Jyväskylä, Department of Music, 2013)
      The compositions of NIGHTWISH are one of the most exciting examples of symphonic heavy metal. Tuomas Holopainen composes songs full of emotion and poetry and uses many strategies in order to accompany them musically. The ...