Performing the author/mother/merchant/wife: moving subject positions in Minna Canth's autobiography
Saresma, T. (2010). Performing the author/mother/merchant/wife: moving subject positions in Minna Canth's autobiography. In T. Lähdesmäki (Ed.), Gender, nation, narration: critical readings of cultural phenomena (pp. 24-39). University of Jyväskylä. Jyväskylä studies in humanities, 134. http://urn.fi/URN:ISBN:978-951-39-3829-1
Published inJyväskylä studies in humanities
© University of Jyväskylä
Reading autobiography as a performative act enables for the analysis of processes involved in constructing the self. It provides a space for analysing the ways in which gender, nationality, and other social locations of the subject are negotiated. In this article, I read the famous Finnish nineteenth-century playwright and author Minna Canth’s concise autobiography, focusing on various locations of the autobiographical subject in this rather laconic matter-of-fact text. My reading follows current trends in feminist autobiographical theorising as well as feminist politics of reading. I strive to deconstruct the interpretation of autobiographies as dichotomously fixed texts. I suggest a more flexible reading that would take the ambiguities of the genre seriously, such as describing both the public and the private life of the author, constructing the subject of the narrative, both relational and autonomous, in addition to varying stylistically between mere factuality and decorative description. Such a reading takes into account the shifts of the subject positions as well as the styles of narration moving between feminine and masculine, rational and emotional, chronologically organised progress of the plot and a more vague way of organising the narrative according to the inner logic or the unconscious. In analysing the variations of narration, inspired by the theoretical and methodological discussion on intersectionality, I conceptualize autobiography as a site for negotiating and performing various subject positions, thus striving for a non-essential reading of autobiographies. ...
PublisherUniversity of Jyväskylä
Parent publication ISBN978-951-39-3810-9
Is part of publicationGender, nation, narration: critical readings of cultural phenomena
Publication in research information system
MetadataShow full item record
Showing items with similar title or keywords.
The human question in science fiction television : (re)imagining humanity in Battlestar Galactica, Bionic Woman and V Koistinen, Aino-Kaisa (University of Jyväskylä, 2015)
A greasy-skinned worker : gender, class and work in the 20th-century life story of a female labourer Koskinen-Koivisto, Eerika (University of Jyväskylä, 2013)
Piilola, Tiina (University of Jyväskylä, 2017)My dissertation deals with the most important female figures of the Finnish national epic New Kalevala (1849): Aino, Louhi, Lemminkäinen’s mother and Marjatta. The epic was compiled by Elias Lönnrot (1802–1884) from ...
Tuottavan hämmennyksen äärellä : näkökulmia feministiseen pedagogiikkaan ympäristökriisien aikakaudella Hyvärinen, Pieta; Koistinen, Aino-Kaisa; Koivunen, Tuija (Sukupuolentutkimuksen seura, 2021)Artikkelissa hahmottelemme ympäristökriisit huomioivaa ja ympäristön suhteen vastuullista toimijuutta tuottavaa feminististä pedagogiikkaa tiedontuotannon kysymyksenä. Tarkastelemme ensinnäkin feministisen pedagogiikan eri ...