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3rd International Conference on Music & Emotion : Jyväskylä, June 11-15, 2013, programme, abstracts, proceedings
(Department of Music, University of Jyväskylä, 2013)
3rd International Conference on Music & Emotion : Programme
(University of Jyväskylä, Department of Music, 2013)
A Simple, High-Yield Method for Assessing Structural Novelity
(University of Jyväskylä, Department of Music, 2013)
The structural dimension of music plays an important role in its affective appreciation. One particular aspect is related to the temporal succession of moments, each characterized by particular musical properties. One ...
Absolute of Relative? A New Approach to Building Feature Vectors For Emotion Tracking In Music
(University of Jyväskylä, Department of Music, 2013)
It is believed that violation of or conformity to expectancy when listening to music is one of the main sources of musical emotion. To address this, we test a new way of building feature vectors and representing features ...
Ambivalent Emotions in Music : We Like Sad Music When It Makes Us Happy
(University of Jyväskylä, Department of Music, 2013)
We often react ambivalently to a piece of music, simultaneously experiencing both sadness and happiness, and attributing both emotions to the musical content. Two experiments were conducted (1) to empirically test for ...
An Emotion-Based Method to Perform Algorithmic Composition
(University of Jyväskylä, Department of Music, 2013)
The generative music using algorithmic composition techniques has been developed in many years. However it usually lacks of emotion-based mechanism to generate music with specific affective features. In this article the ...
Are Musical Emotions Chimerical? Lessons From the Paradoxical Potency of Music Therapy
(University of Jyväskylä, Department of Music, 2013)
The dominant psychological model of emotion posits that a cognitive process (the appraisal) precedes, and results in, the corresponding emotion, including any induced state of physiological arousal: the cognitive com-ponent ...
Aspects of Emotion and Construction in the Music of Nightwish
(University of Jyväskylä, Department of Music, 2013)
The compositions of NIGHTWISH are one of the most exciting examples of symphonic heavy metal. Tuomas Holopainen composes songs full of emotion and poetry and uses many strategies in order to accompany them musically. The ...
Aural-Based Detection and Assessment of Real Versus Artificially Synchronized String Quartet Performance
(University of Jyväskylä, Department of Music, 2013)
In a musical ensemble musicians can influence each other’s performance in terms not only of timing but also in other aspects of the performance such as dynamics, intonation, and timbre. The goal of this work is to test ...
Brain-Activity-Driven Real-Time Music Emotive Control
(University of Jyväskylä, Department of Music, 2013)
Active music listening has emerged as a study field that aims to enable listeners to interactively control music. Most of active music listening systems aim to control music aspects such as playback, equalization, browsing, ...