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The Effects of Nicotine on Music-Induced Emotion
(University of Jyväskylä, Department of Music, 2013)
Nicotine is an available drug widely self-administered in the context of music (e.g. pubs, clubs). Furthermore, nicotine effects one’s physiology, which allowed us to test the effects of these physiological changes on the ...
The Emotionality of Sonic Events : Testing the Geneva Emotional Music Scale (GEMS) for Popular and Electroacoustic Music
(University of Jyväskylä, Department of Music, 2013)
In the present study the Geneva Emotional Music Scale (GEMS-25) and its German offshoot, the GEMS-28-G were tested for measurement invariance across different types of musical stimuli. Additionally, the comparability of ...
The Pleasant Emotion of Sad Music
(University of Jyväskylä, Department of Music, 2013)
In general, sad music is thought to cause us to experience sadness, which is considered an unpleasant emotion. As a result, the question arises as to why we listen to sad music if it evokes sadness. We hypothesized that ...
The Relation Between Emotional Valence and Performance Motion of the Keyboard Instrument
(University of Jyväskylä, Department of Music, 2013)
This study examined relations of the emotion and part of the upper body during the keyboard instrument performance. The study showed the trace from the lateral direction to watch movement. As a result, there was a difference ...
The Role of Inspiration in the Performance of Prgramme Music: The Case of "Viagens na minha Terra" by Fernanco Lopes-Graca
(University of Jyväskylä, Department of Music, 2013)
“Viagens na minha Terra” (Travels in my Homeland) is a piano cycle in nineteen movements by Portuguese composer Fernando Lopes-Graça (1906-1994). The work relates to Portuguese culture in many ways: the title of the work ...
The Sound of Sadness : The Effect of Performers' Emotions on Audience Ratings
(University of Jyväskylä, Department of Music, 2013)
Very few studies have investigated the effect of performers’ felt emotions on the audience perception of their performances. Does it matter what a performer feels or thinks about when performing? To investigate this, we ...
Towards Affective Algorithmic Composition
(University of Jyväskylä, Department of Music, 2013)
Automated systems for the selective adjustment of emotional responses by means of musical features are driving an emerging field: affective algorithmic composition. Strategies for algorithmic composition, and the large ...
Using Tags to Select Stimuli in the Study of Music and Emotion
(University of Jyväskylä, Department of Music, 2013)
A wealth of literature on musical emotion exists, including investigation of the use of tags to classify musical emotions. However, the relationship between musical emotions and human annotated information is still unclear. ...
What Emotions and Free Associations Characterize Different Musical Styles?
(University of Jyväskylä, Department of Music, 2013)
Bisesi, Parncutt, & Friberg (2011) extended Director Musices (DM) - a software package for automatic rendering of expressive performance (Friberg et al., 2006) that relates the expressive features of a performance not only ...