Haku
Aineistot 41-50 / 101
Sparse Multiview Methods for Classification of Musical Genre from Magnetoencephalography Recordings
(2009)
Classification of musical genre from audio is a well-researched area of music research. However to the authors’ knowledge no studies have been performed that attempt to identify the genre of music a person is listening to ...
Pitch salience in chords of harmonic complex tones
(2009)
Parncutt (1993) estimated the salience of the 12 chroma in chords of octave-complex tones (OCTs, Shepard tones). In each trial, listeners rated how well an OCT went with a preceding chord. The conventional root tended to ...
An integrative dual-route model of rhythm perception and production
(2009)
An integrative dual-route model of rhythm perception and production is proposed here. Furthermore, an empirical study illustrated in the second part of this paper provides evidence of the existence of two different cognitive ...
Music preferences as signs of who we are - Personality and social factors
(2009)
Recent research shows that music preferences can be summarized by four dimensions and these dimensions are associated with certain personality characteristics, analyzed according to the five factor theory of personality. ...
Researching ensemble teachers’ assessment criteria and values from a dialogical theoretical perspective
(2009)
Since the beginning of the 1980s, playing in pop ensembles and rock ensembles has been an integrated part of both Swedish music teacher education and the Swedish national curricula for music. However, there is little ...
The Effects of Melodic Grouping and Meter on Eye Movements during Simple Sight-Reading Tasks
(2009)
This study concerns the processes of eye movements during simple sight-reading tasks, concentrating on the processing of melodic groups separated by larger intervals and the effects of metrical placement of such groups. ...
A Coupled Oscillator Model of Interactive Tapping
(2009)
Background: Synchronization in music has been a popular experimental basis for studying social interactions, as musicians are required to synchronize to each other’s beats and integrate abstract social information in order ...
Harmony wants to sit in the front - Different Brain Responses to Violations in Chord Progressions
(2009)
Deviations from auditory regularities elicit electric potentials distributed over the frontal regions of the scalp. The mismatch negativity (MMN) is elicited by change in repetitive auditory input, whereas the early right ...
How does children’s music making affect language and communication?
(2009)
Low educations achievement is a risk to become socially excluded. What can music education contribute to children’s education? There is increasing evidence that children benefit from regular and playful musical stimulations ...
The keyboard as a part of visual, auditory and kinesthetic processing in sight-reading at the piano
(2009)
Sight-reading at the piano requires coordination of multiple modalities—visual, auditory, and kinesthetic. Visual feedback (obtained by looking at the keyboard and the fingers) is usually regarded as one means by which ...