Haku
Aineistot 21-30 / 101
The role of loudness in detection of surprising events in music recordings
(2009)
The abrupt change of loudness is a salient event that is not always expected by a music listener. Therefore loudness is an important cue when seeking for events in a music stream that could violate human expectations. The ...
Musical Parameters and Children's Movement Responses
(2009)
The effects of dynamic musical parameters (e.g., pitch rise/fall,
crescendo/diminuendo) on aspects of bodily motion, such as spatial
directions or speed, have recently been investigated empirically, as
Eitan & Granot ...
Cross-domain mapping processes in the perception of post tonal music
(2009)
Theories of embodied cognition state that knowledge is built by means of cross-domain mapping processes between different domains of experience. Recent research informs about the presence of mapping processes in the reception ...
Self-Efficacy of Piano Teachers’ of Specialized Music School
(2009)
The piano teachers from specialized music schools have been often criticized for a lack of psychological and pedagogical competences, i.e. emotional instability, proneness for engendering fear, inability to motivate pupils ...
Emotional self-regulation through music in 3-8-year-old children
(2009)
The current study explored the role of music in children’s emotional self-regulation. Music is shown to be a common and effective way of self-regulating emotions in adolescence and adulthood. It is also widely known that ...
Time reproduction of structured auditory events by deaf and hearing subjects
(2009)
Congenital deafness affects different aspects of information processing and time perception. In deafness the accuracy of duration judgments seems to be linked to differences in the use of conventional time units, applied ...
Serial position effects in a singer's long term recall identify landmarks and lacunae in memory
(2009)
An experienced singer learned Stravinsky’s Ricercar 1, for soprano and small instrumental ensemble for public performance and annotated copies of the score to indicate the location of musical features that she attended to ...
Considerations Concerning a Methodology for Musical Robotics and Human-Robot Interaction
(2009)
Robot technology is increasingly employed in artistic (musical) applications and as modeling tool for the investigation of general cognitive abilities and music related behavior in particular. Apart from the specifications ...
Embodied Experience and Communicative Intentions of the Singing Performer
(2009)
Theories of Embodied Cognition assert that simulation mechanisms underlie inter-subjective communication. On this basis we posit that by solely assessing only visual component of a performance, a naïve audience could make ...
Music preferences based on audio features, and its relation to personality
(2009)
Recent studies have summarized reported music preferences by genre into four broadly defined categories, which relate to various personality characteristics. Other research has indicated that genre classification is ambiguous ...