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dc.contributor.authorNeto, Pedro A. S. O.
dc.contributor.authorHartmann, Martin
dc.contributor.authorLuck, Geoff
dc.contributor.authorToiviainen, Petri
dc.date.accessioned2024-11-12T07:46:48Z
dc.date.available2024-11-12T07:46:48Z
dc.date.issued2024
dc.identifier.citationNeto, P. A. S. O., Hartmann, M., Luck, G., & Toiviainen, P. (2024). The algorithmic nature of song-sequencing : statistical regularities in music albums. <i>Journal of New Music Research</i>, <i>Early online</i>. <a href="https://doi.org/10.1080/09298215.2024.2423610" target="_blank">https://doi.org/10.1080/09298215.2024.2423610</a>
dc.identifier.otherCONVID_243885503
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/98264
dc.description.abstractBased on a review of anecdotal beliefs, we explored statistical patterns of track-sequencing within a large set of released music albums. We found that songs with high levels of valence, energy and loudness are more likely to be positioned at the beginning of each album. We also found that transitions between consecutive tracks tend to alternate between increases and decreases of valence and energy. These findings were used to build a system which automates the process of album-sequencing. Our results and hypothesis have both practical and theoretical applications. Practically, sequencing regularities can be used to inform playlist generation systems. Theoretically, we show that professional musicians and music producers have significant levels of agreement about how to determine the order of tracks in their albums.en
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherTaylor & Francis, Informa
dc.relation.ispartofseriesJournal of New Music Research
dc.rightsCC BY 4.0
dc.subject.otherautomatic playlist generation
dc.subject.otheralbum-sequencing
dc.subject.otherMarkov models
dc.subject.othermusic albums
dc.subject.otherplaylists
dc.titleThe algorithmic nature of song-sequencing : statistical regularities in music albums
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-202411127111
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.relation.issn0929-8215
dc.relation.volumeEarly online
dc.type.versionpublishedVersion
dc.rights.copyright© 2024 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group
dc.rights.accesslevelopenAccessfi
dc.relation.grantnumber346210
dc.subject.ysomusiikki
dc.subject.ysosoittolistat
dc.subject.ysomusiikintutkimus
dc.subject.ysoalbumit (äänitteet)
dc.subject.ysomusiikkianalyysi
dc.subject.ysoMarkovin ketjut
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p1808
jyx.subject.urihttp://www.yso.fi/onto/yso/p38265
jyx.subject.urihttp://www.yso.fi/onto/yso/p21685
jyx.subject.urihttp://www.yso.fi/onto/yso/p37733
jyx.subject.urihttp://www.yso.fi/onto/yso/p19623
jyx.subject.urihttp://www.yso.fi/onto/yso/p13075
dc.rights.urlhttps://creativecommons.org/licenses/by/4.0/
dc.relation.doi10.1080/09298215.2024.2423610
dc.relation.funderResearch Council of Finlanden
dc.relation.funderSuomen Akatemiafi
jyx.fundingprogramCentre of Excellence, AoFen
jyx.fundingprogramHuippuyksikkörahoitus, SAfi
jyx.fundinginformationThis work was funded by the Finnish National Agency for Education (Opetushallitus) [grant number TM-20-11483] and by the Center of Excellence in Music, Mind, Body and Brain through the Research Council of Finland [Project number 346210].
dc.type.okmA1


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