Show simple item record

dc.contributor.authorMarini, Marco
dc.contributor.authorAnsani, Alessandro
dc.contributor.authorDemichelis, Alessandro
dc.contributor.authorMancini, Giovanna
dc.contributor.authorPaglieri, Fabio
dc.contributor.authorViola, Marco
dc.date.accessioned2024-01-24T10:35:19Z
dc.date.available2024-01-24T10:35:19Z
dc.date.issued2024
dc.identifier.citationMarini, M., Ansani, A., Demichelis, A., Mancini, G., Paglieri, F., & Viola, M. (2024). Real is the new sexy : the influence of perceived realness on self-reported arousal to sexual visual stimuli. <i>Cognition and Emotion</i>, <i>Early online</i>. <a href="https://doi.org/10.1080/02699931.2023.2296581" target="_blank">https://doi.org/10.1080/02699931.2023.2296581</a>
dc.identifier.otherCONVID_201997588
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/93020
dc.description.abstractAs state-of-art technology can create artificial images that are indistinguishable from real ones, it is urgent to understand whether believing that a picture is real or not has some import over affective phenomena such as sexual arousal. Thus, in two pre-registered online studies, we tested whether 60 images depicting models in underwear elicited higher self-reported sexual arousal when believed to be (N = 57) or presented as (N = 108) real photographs as opposed to artificially generated. In both cases, Realness correlated with significantly higher scores on self-reported sexual arousal. Consistently with the literature on downregulation of emotional response to fictional works, our result indicates that sexual images that are perceived to be fake are less arousing than those believed to portray real people.en
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherRoutledge
dc.relation.ispartofseriesCognition and Emotion
dc.rightsCC BY 4.0
dc.subject.otherartificially generated images
dc.subject.othersexual arousal
dc.subject.otherfiction
dc.titleReal is the new sexy : the influence of perceived realness on self-reported arousal to sexual visual stimuli
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-202401241510
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.relation.issn0269-9931
dc.relation.volumeEarly online
dc.type.versionpublishedVersion
dc.rights.copyright© 2023 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group
dc.rights.accesslevelopenAccessfi
dc.subject.ysovalokuvataide
dc.subject.ysoseksuaalisuus
dc.subject.ysofiktio
dc.subject.ysovalokuvat
dc.subject.ysotekoäly
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p10649
jyx.subject.urihttp://www.yso.fi/onto/yso/p1826
jyx.subject.urihttp://www.yso.fi/onto/yso/p14600
jyx.subject.urihttp://www.yso.fi/onto/yso/p2699
jyx.subject.urihttp://www.yso.fi/onto/yso/p2616
dc.rights.urlhttps://creativecommons.org/licenses/by/4.0/
dc.relation.doi10.1080/02699931.2023.2296581
dc.type.okmA1


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record

CC BY 4.0
Except where otherwise noted, this item's license is described as CC BY 4.0