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dc.contributor.authorFjellestad, Danuta
dc.contributor.authorSjöberg, Sami
dc.contributor.editorSjöberg, Sami
dc.contributor.editorKeskinen, Mikko
dc.contributor.editorKarhumaa, Arja
dc.date.accessioned2024-01-12T06:56:03Z
dc.date.available2024-01-12T06:56:03Z
dc.date.issued2024
dc.identifier.citationFjellestad, D., & Sjöberg, S. (2024). Performative Materiality of Book Inserts : The Case of S. and Personal Effects. In S. Sjöberg, M. Keskinen, & A. Karhumaa (Eds.), <i>The Experimental Book Object : Materiality, Media, Design</i> (pp. 52-65). Routledge. <a href="https://doi.org/10.4324/9781003334293-5" target="_blank">https://doi.org/10.4324/9781003334293-5</a>
dc.identifier.otherCONVID_194927948
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/92727
dc.description.abstractThis chapter examines fiction books that tell fictional stories through a combination of a narrative that is printed on pages of a codex with physically removable artefacts such as postcards, letters, notes, photographs, newspaper clippings, tickets, credit cards, etc. Recognizing the importance of the (inserted) artefacts in co-constructing the story, we focus on the functions and consequences of the book’s material distribution through inserts. These functions call forth the performative aspects of materiality, that is, materiality that is situated in a cultural context of “meaning-mining.” We offer close—if selective—readings of inserts in Isidore Isou’s Le grand désordre (1963), Personal Effects (2009) by J. C. Hutchins and Jordan Weisman and S. (2013) by J. J. Abrams and Doug Dorst. We show how “unbounding” the codex, the inserts furnish an unconventional reading experience by providing sensory experiences that are physically rather than linguistically staged.en
dc.format.extent336
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherRoutledge
dc.relation.ispartofThe Experimental Book Object : Materiality, Media, Design
dc.rightsIn Copyright
dc.titlePerformative Materiality of Book Inserts : The Case of S. and Personal Effects
dc.typebookPart
dc.identifier.urnURN:NBN:fi:jyu-202401121228
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.type.urihttp://purl.org/eprint/type/BookItem
dc.relation.isbn978-1-032-36881-8
dc.type.coarhttp://purl.org/coar/resource_type/c_3248
dc.description.reviewstatuspeerReviewed
dc.format.pagerange52-65
dc.type.versionacceptedVersion
dc.rights.copyright© 2024 selection and editorial matter, Sami Sjöberg, Mikko Keskinen, and Arja Karhumaa; individual chapters, the contributors
dc.rights.accesslevelembargoedAccessfi
dc.subject.ysokaunokirjallisuus
dc.subject.ysoperformatiivisuus
dc.subject.ysokerronta
dc.subject.ysoartefaktit
dc.subject.ysomateriaalisuus
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p4
jyx.subject.urihttp://www.yso.fi/onto/yso/p20639
jyx.subject.urihttp://www.yso.fi/onto/yso/p6895
jyx.subject.urihttp://www.yso.fi/onto/yso/p22914
jyx.subject.urihttp://www.yso.fi/onto/yso/p26978
dc.rights.urlhttp://rightsstatements.org/page/InC/1.0/?language=en
dc.relation.doi10.4324/9781003334293-5
dc.type.okmA3


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