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dc.contributor.authorTuuri, Kai
dc.contributor.authorKoskela, Oskari
dc.contributor.authorVahlo, Jukka
dc.date.accessioned2022-10-13T06:18:56Z
dc.date.available2022-10-13T06:18:56Z
dc.date.issued2022
dc.identifier.citationTuuri, K., Koskela, O., & Vahlo, J. (2022). In Pursuit of Measuring Pre-reflective Music Listening Experiences. In <i>AM '22 : Proceedings of the 17th International Audio Mostly Conference</i>. ACM. <a href="https://doi.org/10.1145/3561212.3561220" target="_blank">https://doi.org/10.1145/3561212.3561220</a>
dc.identifier.otherCONVID_159008391
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/83540
dc.description.abstractWhile the diverse effects and uses of music and sound have been extensively documented within music psychology, relatively little attention has been paid to the process and experience of listening itself. Previous literature have, however, considered different ways of attending to sounds via the concept of listening modes, which highlights the different ways and strategies through which listeners intentionally orientate themselves to the activity of listening and creating the experiential meaning of the sound. In this paper, we continue on these lines by focusing on the very basic attentional dispositions for listening that often remain unconscious. As op posed to more deliberate and intentional listening strategies, this pre-reflective domain of listening is characterised by its receptive quality, that is, being attuned to sound in a pre-conceptual and pre cognitive manner without cognitive appraisal of its meaning. Based on previous theoretisations and following ideas from embodied and enactive cognition, we re-conceptualise pre-reflective listening through five modes of listening. Moreover, in order to bring these theoretical considerations into dialogue with empirical research we also operationalise the suggested listening modes into prototyped survey items and discuss methodological issues with the aim of building a groundwork for developing psychometric measures of pre-reflective music listening experiences.en
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherACM
dc.relation.ispartofAM '22 : Proceedings of the 17th International Audio Mostly Conference
dc.rightsCC BY 4.0
dc.subject.othermusic
dc.subject.otherlistening
dc.subject.otherpre-reflective experience
dc.subject.othermodes of listening
dc.subject.otherembodied cognition
dc.subject.otherimagination
dc.subject.otherhuman computer interaction (HCI)
dc.subject.othersound and music computing
dc.titleIn Pursuit of Measuring Pre-reflective Music Listening Experiences
dc.typeconferenceObject
dc.identifier.urnURN:NBN:fi:jyu-202210134864
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusicologyen
dc.type.urihttp://purl.org/eprint/type/ConferencePaper
dc.relation.isbn978-1-4503-9701-8
dc.type.coarhttp://purl.org/coar/resource_type/c_5794
dc.description.reviewstatuspeerReviewed
dc.type.versionpublishedVersion
dc.rights.copyright© 2022 Copyright held by the owner/author(s)
dc.rights.accesslevelopenAccessfi
dc.relation.conferenceAudio Mostly Conference
dc.relation.grantnumber312397
dc.relation.grantnumber
dc.subject.ysotarkkaavaisuus
dc.subject.ysotietoisuus
dc.subject.ysomusiikki
dc.subject.ysomerkitys (tärkeys)
dc.subject.ysomusiikkipsykologia
dc.subject.ysokokemukset
dc.subject.ysokuunteleminen
dc.subject.ysoääni (fysikaaliset ilmiöt)
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p9105
jyx.subject.urihttp://www.yso.fi/onto/yso/p7672
jyx.subject.urihttp://www.yso.fi/onto/yso/p1808
jyx.subject.urihttp://www.yso.fi/onto/yso/p7010
jyx.subject.urihttp://www.yso.fi/onto/yso/p13805
jyx.subject.urihttp://www.yso.fi/onto/yso/p3209
jyx.subject.urihttp://www.yso.fi/onto/yso/p9106
jyx.subject.urihttp://www.yso.fi/onto/yso/p4572
dc.rights.urlhttps://creativecommons.org/licenses/by/4.0/
dc.relation.doi10.1145/3561212.3561220
dc.relation.funderResearch Council of Finlanden
dc.relation.funderKone Foundationen
dc.relation.funderSuomen Akatemiafi
dc.relation.funderKoneen Säätiöfi
jyx.fundingprogramCentre of Excellence, AoFen
jyx.fundingprogramHuippuyksikkörahoitus, SAfi
jyx.fundinginformationThis work is funded by Kone Foundation (grant number 201908388) and Academy of Finland (Centre of Excellence in Game Culture Studies, project n:o 312397).
dc.type.okmA4


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