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dc.contributor.authorTalaskivi, Katri
dc.date.accessioned2021-01-14T13:35:43Z
dc.date.available2021-01-14T13:35:43Z
dc.date.issued2020
dc.identifier.citationTalaskivi, K. (2020). Ammattitaiteilijuus ja kirjailijana olemisen ehdot muunkielisten kirjailijoiden näkökulmasta. <i>Kulttuuripolitiikan tutkimuksen vuosikirja</i>, <i>5</i>(1), 6-25. <a href="https://doi.org/10.17409/kpt.92259" target="_blank">https://doi.org/10.17409/kpt.92259</a>
dc.identifier.otherCONVID_47677562
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/73619
dc.description.abstractIn this article I describe the results of a questionnaire survey done on non-dominant language writers in Finland, and reflect this on the criteria by which a professional artist has been traditionally defined in Finland. The background data consists of reports and studies on artists' social standing conducted by Arts Promotion Center Finland, Cupore and the Finnish Writers' Union. There were 31 responses to the study from non-dominant language residents of Finland who identify themselves as writers. Among these writers, the most often mentioned factor to define a professional writer were published works. Published works have also been central when a professional artist / writer has been defined in the Finnish art support system since its beginning in the late 1960's and early 1970's, and indirectly they are important also when professionalism is defined through memberships of trade unions, grants, main income source etc. as in all these evaluation in based on work that has been approved as part of the art world, i. e published by a publishing house. According to this reflection, the Finnish way of defining a professional writer to a great extent excludes writers who are unable to publish their work on paper through commercial publishing houses, let alone in Finnish or Swedish. This is the case with most writers with refugee, assylum seeker or voluntary exile background, or writers who come from countries with a different publishing industry from the Finnish model, or whose audiences are spread in all parts of the globe; instead, they publish online for political, financial, or practical reasons. My article strengthens the argument that the Finnish institutionalist way of defining a professional artist needs to be modified, especially on the level of institutional practises, to meet the reality of a quickly multilingualized society.en
dc.format.mimetypeapplication/pdf
dc.languagefin
dc.language.isofin
dc.publisherKulttuuripolitiikan tutkimuksen seura
dc.relation.ispartofseriesKulttuuripolitiikan tutkimuksen vuosikirja
dc.rightsIn Copyright
dc.titleAmmattitaiteilijuus ja kirjailijana olemisen ehdot muunkielisten kirjailijoiden näkökulmasta
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-202101141095
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineKirjallisuusfi
dc.contributor.oppiaineLiteratureen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.description.reviewstatuspeerReviewed
dc.format.pagerange6-25
dc.relation.issn2343-290X
dc.relation.numberinseries1
dc.relation.volume5
dc.type.versionpublishedVersion
dc.rights.copyright© Kirjoittaja & Kulttuuripolitiikan tutkimuksen seura, 2020
dc.rights.accesslevelopenAccessfi
dc.subject.ysokielelliset vähemmistöt
dc.subject.ysokirjailijat
dc.subject.ysoeriarvoisuus
dc.subject.ysoammattilaiset
dc.subject.ysokustannustoiminta
dc.subject.ysokirjailijuus
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p9309
jyx.subject.urihttp://www.yso.fi/onto/yso/p8970
jyx.subject.urihttp://www.yso.fi/onto/yso/p3478
jyx.subject.urihttp://www.yso.fi/onto/yso/p10700
jyx.subject.urihttp://www.yso.fi/onto/yso/p2045
jyx.subject.urihttp://www.yso.fi/onto/yso/p28118
dc.rights.urlhttp://rightsstatements.org/page/InC/1.0/?language=en
dc.relation.doi10.17409/kpt.92259


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