dc.contributor.author | Warrenburg, Lindsay A. | |
dc.contributor.author | Reymore, Lindsey | |
dc.contributor.author | Shanahan, Daniel | |
dc.date.accessioned | 2020-12-11T08:36:13Z | |
dc.date.available | 2020-12-11T08:36:13Z | |
dc.date.issued | 2020 | |
dc.identifier.citation | Warrenburg, Lindsay A.; Reymore, Lindsey; Shanahan, Daniel (2020). The communication of melancholy, grief, and fear in dance with and without music. Human Technology, 16 (3), 283-309. DOI: 10.17011/ht/urn.202011256766 | |
dc.identifier.uri | https://jyx.jyu.fi/handle/123456789/73129 | |
dc.description.abstract | Professional dancers were video recorded dancing with the intention of
expressing melancholy, grief, or fear. We used these recordings as stimuli in two studies
designed to investigate the perception and sociality of melancholy, grief, and fear
expressions during unimodal (dancing in silence) and multimodal (dancing to music)
conditions. In Study 1, viewers rated their perceptions of social connection among the
dancers in these videos. In Study 2, the same videos were coded for the amount of time that
dancers spent in physical contact. Results revealed that dancers expressing grief and fear
exhibited more social interactions than dancers expressing melancholy. Combined with
the findings of Warrenburg (2020b, 2020c), results support the idea that—in an artistic
context—grief and fear are expressed with overt emotional displays, whereas melancholy
is expressed with covert emotional displays. | en |
dc.format.mimetype | application/pdf | |
dc.language.iso | eng | |
dc.publisher | Jyväskylän Yliopisto | |
dc.relation.ispartofseries | Human Technology: An Interdisciplinary Journal on Humans in ICT Environments | |
dc.rights | CC BY-NC 4.0 | |
dc.subject.other | dance | fi |
dc.subject.other | multimodality | fi |
dc.subject.other | emotional expressions | fi |
dc.subject.other | perception | fi |
dc.subject.other | sociality | fi |
dc.title | The communication of melancholy, grief, and fear in dance with and without music | |
dc.type | article | |
dc.identifier.urn | URN:NBN:fi:jyu-202012117073 | |
dc.type.uri | http://purl.org/eprint/type/JournalArticle | |
dc.identifier.doi | 10.17011/ht/urn.202011256766 | |
dc.description.reviewstatus | peerReviewed | |
dc.format.pagerange | 283-309 | |
dc.relation.issn | 1795-6889 | |
dc.relation.numberinseries | 3 | |
dc.relation.volume | 16 | |
dc.type.version | publishedVersion | |
dc.rights.copyright | ©2020 Lindsay A. Warrenburg, Lindsey Reymore, & Daniel Shanahan, and the Open Science Centre, University of Jyväskylä | |
dc.rights.accesslevel | openAccess | |
dc.format.content | fulltext | |
dc.rights.url | https://creativecommons.org/licenses/by-nc/4.0/ | |