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dc.contributor.authorKeskinen, Mikko
dc.contributor.editorKarkulehto, Sanna
dc.contributor.editorKoistinen, Aino-Kaisa
dc.contributor.editorVaris, Essi
dc.date.accessioned2020-11-24T09:30:17Z
dc.date.available2020-11-24T09:30:17Z
dc.date.issued2020
dc.identifier.citationKeskinen, M. (2020). Dead Dog Talking : Posthumous, Preposthumous, and Preposterous Canine Narration in Charles Siebert’s Angus. In S. Karkulehto, A.-K. Koistinen, & E. Varis (Eds.), <i>Reconfiguring Human, Nonhuman and Posthuman in Literature and Culture</i> (pp. 145-162). Routledge. <a href="https://doi.org/10.4324/9780429243042-11" target="_blank">https://doi.org/10.4324/9780429243042-11</a>
dc.identifier.otherCONVID_32137222
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/72755
dc.description.abstractThe section focusing on narrating and narrated animals opens with Mikko Keskinen’s chapter, which probes the narrational peculiarities of posthumous tales told by dogs. The primary target of Keskinen’s analysis is Charles Siebert’s novel Angus (2000), a first-person memoir of a dying Jack Russell terrier. The novel presents its canine protagonist Angus as having an outstanding command of the English language, whereby it is no surprise that his lineage turns out to be particularly literary. Yet there are curious idiosyncrasies in his parlance, which appear to suggest a uniquely cynomorphic language and worldview. Since Angus the dog resides on the border zone between human and nonhuman spheres of communication and knowledge, he is a hybrid creature: domesticated, yet wildly unfamiliar. A similar hybridity marks Angus the novel and the effects of its narration: backward narration may appear a “natural” analogy to canines’ ability to trail lingering scents, but it also results in unnatural and counterfactual effects and storylines.en
dc.format.extent400
dc.format.mimetypeapplication/pdf
dc.languageeng
dc.language.isoeng
dc.publisherRoutledge
dc.relation.ispartofReconfiguring Human, Nonhuman and Posthuman in Literature and Culture
dc.rightsCC BY-NC-ND 4.0
dc.titleDead Dog Talking : Posthumous, Preposthumous, and Preposterous Canine Narration in Charles Siebert’s Angus
dc.typebookPart
dc.identifier.urnURN:NBN:fi:jyu-202011246727
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineKirjallisuusfi
dc.contributor.oppiaineLiteratureen
dc.type.urihttp://purl.org/eprint/type/BookItem
dc.relation.isbn978-0-367-19747-6
dc.type.coarhttp://purl.org/coar/resource_type/c_3248
dc.description.reviewstatuspeerReviewed
dc.format.pagerange145-162
dc.type.versionacceptedVersion
dc.rights.copyright© 2020 Taylor & Francis
dc.rights.accesslevelopenAccessfi
dc.subject.ysoposthumanismi
dc.subject.ysokokeellinen kirjallisuus
dc.subject.ysoaikarakenne (kerronta)
dc.subject.ysokerronta
dc.subject.ysokoira
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p28278
jyx.subject.urihttp://www.yso.fi/onto/yso/p21541
jyx.subject.urihttp://www.yso.fi/onto/yso/p28413
jyx.subject.urihttp://www.yso.fi/onto/yso/p6895
jyx.subject.urihttp://www.yso.fi/onto/yso/p5319
dc.rights.urlhttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.relation.doi10.4324/9780429243042-11
dc.type.okmA3


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