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dc.contributor.authorCarlson, Emily
dc.contributor.authorBurger, Birgitta
dc.contributor.authorToiviainen, Petri
dc.date.accessioned2019-04-23T09:18:22Z
dc.date.available2019-04-23T09:18:22Z
dc.date.issued2019
dc.identifier.citationCarlson, E., Burger, B., & Toiviainen, P. (2019). Empathy, Entrainment, and Perceived Interaction in Complex Dyadic Dance Movement. <i>Music Perception</i>, <i>36</i>(4), 390-405. <a href="https://doi.org/10.1525/mp.2019.36.4.390" target="_blank">https://doi.org/10.1525/mp.2019.36.4.390</a>
dc.identifier.otherCONVID_30123478
dc.identifier.otherTUTKAID_81239
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/63574
dc.description.abstractTHE CURRENT STUDY EXPLORES HOW INDIVIDUALS’ tendency to empathize with others (trait empathy) modulates interaction and social entrainment in dyadic dance in a free movement context using perceptual and computationally derived measures. Stimuli consisting of 24 point-light animations were created using motion capture data selected from a sample of 99 dyads, based on self-reported trait empathy. Individuals whose Empathy Quotient (EQ) scores were in the top or bottom quartile of all scores were considered to have high or low empathy, respectively, and twelve dyads comprised of four high-high, four low-low, and four highlow empathy combinations were identified. Animations of these dyads were presented to 33 participants, who rated the degree of interaction and movement similarity for each stimulus. Results showed a significant effect of empathy combination on perceived interactivity and perceived similarity. High-low stimuli were rated as significantly more interactive than either high-high or low-low stimuli, while high-high stimuli were rated as significantly less similar than high-low and low-low. Dyads’ period-locking, bodily orientation and amount of hand movement were all significantly correlated with rated amount of interaction, while rated similarity only related significantly to period-locking. Results suggest that period-locking is important for social entrainment to be perceived, but that other signals such as bodily orientation and hand movement also signal social entrainment during free dance movement.fi
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherUniversity of California Press
dc.relation.ispartofseriesMusic Perception
dc.rightsIn Copyright
dc.subject.otherentrainment
dc.subject.otherdance
dc.subject.otherperception
dc.titleEmpathy, Entrainment, and Perceived Interaction in Complex Dyadic Dance Movement
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201904182228
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusicologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2019-04-18T12:15:13Z
dc.description.reviewstatuspeerReviewed
dc.format.pagerange390-405
dc.relation.issn0730-7829
dc.relation.numberinseries4
dc.relation.volume36
dc.type.versionpublishedVersion
dc.rights.copyright© 2019 by The Regents of the University of California.
dc.rights.accesslevelopenAccessfi
dc.subject.ysoviihde
dc.subject.ysotanssi
dc.subject.ysovuorovaikutus
dc.subject.ysohavainnointi
dc.subject.ysoliikkeenkaappaus
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p5
jyx.subject.urihttp://www.yso.fi/onto/yso/p1278
jyx.subject.urihttp://www.yso.fi/onto/yso/p10591
jyx.subject.urihttp://www.yso.fi/onto/yso/p8802
jyx.subject.urihttp://www.yso.fi/onto/yso/p27199
dc.rights.urlhttp://rightsstatements.org/page/InC/1.0/?language=en
dc.relation.doi10.1525/mp.2019.36.4.390


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