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dc.contributor.authorCarlson, Emily
dc.contributor.authorSaari, Pasi
dc.contributor.authorBurger, Birgitta
dc.contributor.authorToiviainen, Petri
dc.date.accessioned2018-01-12T09:48:49Z
dc.date.available2018-01-12T09:48:49Z
dc.date.issued2017
dc.identifier.citationCarlson, E., Saari, P., Burger, B., & Toiviainen, P. (2017). Personality and Musical Preference Using Social-Tagging in Excerpt-Selection. <i>Psychomusicology: Music, Mind, and Brain</i>, <i>27</i>(3), 203-212. <a href="https://doi.org/10.1037/pmu0000183" target="_blank">https://doi.org/10.1037/pmu0000183</a>
dc.identifier.otherCONVID_27242042
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/56691
dc.description.abstractMusic preference has been related to individual differences like social identity, cognitive style, and personality, but quantifying music preference can be a challenge. Self-report measures may be too presumptive of shared genre definitions between listeners, while listener ratings of expert-selected music may fail to reflect typical listeners’ genre boundaries. The current study aims to address this by using a social-tagging approach to select music for studying preference. In this study, 2,407 tracks were collected and subsampled from the Last.fm social-tagging service and the EchoNest platform based on attributes such as genre, tempo, and danceability. The set was further subsampled according to tempo estimates and metadata from EchoNest, resulting in 48 excerpts from 12 genres. Participants (n = 210) heard and rated the excerpts, rated each genre using the Short Test of Music Preferences (STOMP; n.d.), and completed the Ten-Item Personality Index (TIPI), the Empathy Quotient (EQ) and the Systemizing Quotient (SQ). Mean preference ratings correlated significantly with STOMP scores, suggesting that social tagging can provide a fairly reliable link between perception and genre labels. Principal component analysis (PCA) of the ratings revealed 4 musical components: “Danceable,” “Jazzy,” “Hard,” and “Rebellious.” Component scores correlated modestly but significantly with TIPI, EQ, and SQ scores. These results support and expand previous findings linking personality and music preference, and provide support for a novel method of using crowd tagging in the study of music preference. (PsycINFO Database Record (c) 2017 APA, all rights reserved)
dc.language.isoeng
dc.publisherAmerican Psychological Association
dc.relation.ispartofseriesPsychomusicology: Music, Mind, and Brain
dc.subject.othermusic preference
dc.subject.othersocial tagging
dc.titlePersonality and Musical Preference Using Social-Tagging in Excerpt-Selection
dc.typeresearch article
dc.identifier.urnURN:NBN:fi:jyu-201801091122
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusicologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2018-01-09T13:15:06Z
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.format.pagerange203-212
dc.relation.issn0275-3987
dc.relation.numberinseries3
dc.relation.volume27
dc.type.versionacceptedVersion
dc.rights.copyright© American Psychological Association, 2017. This is a final draft version of an article whose final and definitive form has been published by American Psychological Association. Published in this repository with the kind permission of the publisher.
dc.rights.accesslevelopenAccessfi
dc.type.publicationarticle
dc.subject.ysomusiikki
dc.subject.ysomusiikkimaku
dc.subject.ysopersoonallisuus
dc.subject.ysoempatia
dc.subject.ysososiaalinen media
jyx.subject.urihttp://www.yso.fi/onto/yso/p1808
jyx.subject.urihttp://www.yso.fi/onto/yso/p4279
jyx.subject.urihttp://www.yso.fi/onto/yso/p7075
jyx.subject.urihttp://www.yso.fi/onto/yso/p8625
jyx.subject.urihttp://www.yso.fi/onto/yso/p20774
dc.relation.doi10.1037/pmu0000183
dc.type.okmA1


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